Lanchester's debut in the recent cookbook-cum-novel sweepstakes is a tour de force certain to please some highly, while others may be worn down by an incremental pace and unceasingly (if expertly) mannered tone. What can be told without spoiling the tale—for there's a mystery here—is that the book is the story of a life, the life is that of an Englishman named Tarquin (originally Rodney) Winot, and Winot himself is the speaker of every carefully weighed sentence and exquisitely formed paragraph from start to end. A world-class chef and scholar extraordinaire (he calls himself an artist) of food and cuisine (not to mention manners, lore, and history in general), Winot hasn't lived a life that could be called underprivileged: With an ex-actress mother and an international- businessman father, both Winot and his older brother Bartholomew (who went on to become an internationally lionized artist and sculptor) were raised in a world of comfort and sophistication. Living both in London and Paris, the children had the benefit of cooks, nannies, and tutors—whose amusing quirks, oddities, and (above all) curious demises are narrated by Winot with customarily dry but unflaggingly amusing understatement and wit. As the book opens, the irrepressible Winot is driving through France, offering up opinions on the wines, foods, and art of Normandy and Brittany as he heads, ostensibly, for his house in Provence. He does reach the house, but things take on a deepened tone when he hooks up certain electronic spying devices, trails a young couple, and finally grants an interview—in which, to the reader, the increasingly mannered Winot at last reveals all—with a biographer- to-be of his illustrious brother. From a raconteur second to none, then, a whole-earth monologue that lectures on subjects from pancakes to poison peaches, gives opinions on matters from clothing to curry, and touches on life's crises from cradle to grave. For the intellectual reader, a feast, complete with hint of decay. (First printing of 100,000; first serial to Granta; $100,000 ad/promo; author tour)
Pub Date: April 1, 1996
ISBN: 0-8050-4388-8
Page Count: 240
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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