Lanchester's debut in the recent cookbook-cum-novel sweepstakes is a tour de force certain to please some highly, while others may be worn down by an incremental pace and unceasingly (if expertly) mannered tone. What can be told without spoiling the tale—for there's a mystery here—is that the book is the story of a life, the life is that of an Englishman named Tarquin (originally Rodney) Winot, and Winot himself is the speaker of every carefully weighed sentence and exquisitely formed paragraph from start to end. A world-class chef and scholar extraordinaire (he calls himself an artist) of food and cuisine (not to mention manners, lore, and history in general), Winot hasn't lived a life that could be called underprivileged: With an ex-actress mother and an international- businessman father, both Winot and his older brother Bartholomew (who went on to become an internationally lionized artist and sculptor) were raised in a world of comfort and sophistication. Living both in London and Paris, the children had the benefit of cooks, nannies, and tutors—whose amusing quirks, oddities, and (above all) curious demises are narrated by Winot with customarily dry but unflaggingly amusing understatement and wit. As the book opens, the irrepressible Winot is driving through France, offering up opinions on the wines, foods, and art of Normandy and Brittany as he heads, ostensibly, for his house in Provence. He does reach the house, but things take on a deepened tone when he hooks up certain electronic spying devices, trails a young couple, and finally grants an interview—in which, to the reader, the increasingly mannered Winot at last reveals all—with a biographer- to-be of his illustrious brother. From a raconteur second to none, then, a whole-earth monologue that lectures on subjects from pancakes to poison peaches, gives opinions on matters from clothing to curry, and touches on life's crises from cradle to grave. For the intellectual reader, a feast, complete with hint of decay. (First printing of 100,000; first serial to Granta; $100,000 ad/promo; author tour)
Pub Date: April 1, 1996
ISBN: 0-8050-4388-8
Page Count: 240
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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