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BLOND CARGO

An unyielding pace, vigorous characters and explosive ending.

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An LA private eye repays a debt when he agrees to find a mobster’s missing daughter in Lansing’s (The Devil’s Necktie, 2012, etc.) second thriller to feature former NYPD detective Jack Bertolino.

Jack is reluctant to help gangster Vincent Cardona, but he owes him; Vincent helped the PI track down the man who nearly killed Jack’s son, Chris. Cardona’s daughter, Angelica, vanished weeks ago, and the news story of two blondes found dead has the mobster understandably perturbed—especially because they were close in age and had the same hair color as Angelica. Jack’s investigation leads him to suspect Raul Vargas, a drug-dealing convict whose politically connected father got him an early release from a 15-year prison sentence. Raul may be linked to an Iraqi gang smuggling drugs, guns and even women, but stopping the gang won’t be easy with Raul’s powerful associates—which include the governor, mayor and city council. At first, the novel nearly chokes on subplots, particularly because much of the character and story development is pre-existing: Jack pops Vicodin and Excedrin for chronic spinal pain from a ground zero injury; his ex-wife blames him for Chris’ near death; and the Mexican Mafia puts a contract on Jack’s life. But the main plot gradually dominates and delivers a scorching, suspenseful narrative, despite the fact readers know who’s behind the nefarious goings-on and where Angelica is being held captive. It surprises with sudden shootouts; a scene in which Jack’s almost caught while sneaking into an office at an Iraqi social club; and a video of Angelica cropping up on YouTube. Characters are sublimely complex. Mateo, for example, one of Jack’s operatives, once worked for a Colombian drug cartel and became (initially) a criminal informant to avoid jail. There’s not much female presence (Jack’s lover, Leslie Sager, a deputy DA, typically appears in sex scenes), but Angelica is definitely one of the book’s assets. She’s anything but a meek prisoner, attempting an escape and doing push-ups in her Plexiglas cage.

An unyielding pace, vigorous characters and explosive ending.

Pub Date: Oct. 20, 2014

ISBN: N/A

Page Count: 292

Publisher: N/A

Review Posted Online: Oct. 28, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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