by John Lechner ‧ RELEASE DATE: March 4, 2025
For those who want to know the ugly truth of war fought for rubles—or dollars.
Account of the rise of the Wagner Group and other private armies fighting Russia’s war in Ukraine—and many other conflicts.
Lechner, a journalist specializing in Africa, notes that Russian proxies have been popping up all over the continent in places like Mali, the Central African Republic, and Niger, propping up strongmen here and overthrowing them there. These private armies, he writes, are hardly new, having been a fixture of the medieval battlefield and enjoying a resurgence “when European powers competed to carve up the world.” During World War II, Stalin freed prisoners from the Gulag and placed them in the worst sectors of the front to redeem themselves by dying for the motherland. Yevgeny Prigozhin, founder of the Wagner Group of mercenaries, borrowed a page from Stalin, using the same promise: “Prigozhin, or one of his representatives, visited every minimum- and maximum-security colony except for those in Chechnya and the far-eastern region of Kamchatka.” Survive six months of the Ukrainian war, Wagner promised the prisoners, and you’d be sprung with a clean record and a pocketful of cash—and so it is that the ranks of Russia’s fighters in Ukraine have swelled with soldiers who have no stake in the war except to survive. Prigozhin fell afoul of Vladimir Putin and died in a mysterious 2023 plane crash that was no mystery at all: “Every member of Wagner, every Russian citizen, and the rest of the world were convinced the Russian state had assassinated Prigozhin.” Though largely absorbed within the regular Russian army, Wagner fights on, and it’s not alone; as Lechner writes in this eye-opening exposé, “the world is filled with Prigozhins.”
For those who want to know the ugly truth of war fought for rubles—or dollars.Pub Date: March 4, 2025
ISBN: 9781639733361
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
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by Ta-Nehisi Coates ‧ RELEASE DATE: Oct. 1, 2024
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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SEEN & HEARD
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
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