An elegantly written, vivid history of the early years of the Cold War, culminating with the Bay of Pigs crisis. Noting that the flood of materials from archives in this country and abroad has substantially deepened, and sometimes considerably altered, scholars' view of events, veteran Cold War historian Gaddis (The United States and the Origins of the Cold War, 1972, etc.) has set out to provide an overview for a general audience of the leaders, policies, and international crises that shaped the late 1940s to the early '60s, concentrating on the two great antagonists, the US and the Soviet Union, and their leaders. While no one figure shaped the Cold War, Stalin came closest, injecting an obsessive paranoia, duplicity, and an aura of menace into the relations among postWW II states. ``Suspicion, distrust, and an abiding cynicism were,'' Gaddis observes, ``not only his preferred but his necessary environment.'' And while these qualities, along with an extraordinary capacity for cruelty, extended and preserved the USSR, they also, Gaddis argues, ensured its downfall. ``The killings Stalin authorized, the states he seized . . . the sphere of influence he imposed provided no lasting security for the Soviet Union.'' They inspired resistance that, when Soviet leaders lost the taste for repression, could not be contained. In a series of chapters on American and Russian conflicts in the third world, on the place of nuclear weapons in the uncertain balance of power, and on the increasingly uncomfortable relations between America and Russia and their respective allies, he does a superb job of synthesizing a wide range of sources, drawing clear and persuasive lessons from events. His reading of the motivations of figures as diverse as John F. Kennedy and Chairman Mao seems balanced and acute. Gaddis has written a lively, deeply informed summary, the most accessible and compelling guide to the international conflicts, issues, and dominant ideologies of the early Cold War era.
Pub Date: May 1, 1997
ISBN: 0-19-878070-2
Page Count: 420
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1997
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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