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THE SHRINE AT ALTAMIRA

The latest by the author of An Honorable Profession (1991), etc., takes its cue from the most gruesome of headlines—the sort of story that forces us to contemplate the nature of evil. But L'Heureux's prologue, with its talk of ``we'' (i.e., civilized readers) and ``they'' (i.e., those lower-class types who commit such heinous crimes), suggests how difficult it is for him to get inside his characters, to transcend sociological explanations for their behavior. Mexican-American Maria Alvarez, a dark teenaged beauty, thinks that blond and blue-eyed Russell Whitaker is her ticket out of the ``hot and dirty and hopeless'' San Jose ghetto. But Russell, the son of a violent alcoholic, is incapable of breaking the cycle of abuse that has literally scarred him for life. A reluctant husband, Russell soon develops an all-consuming passion for his bride, finding ``salvation'' in her eyes. When a son arrives and Maria turns her full attention to the beautiful boy, Russell becomes ``weak and needy,'' given to drunken outbursts. Before she allows herself to join in the decline, Maria loses weight, goes back to school, gets a good job, and files for divorce. Meanwhile, Russell hits bottom, living on the streets until his obsession with his ex- wife leads to an act so horrifying that we'd reject it as implausible if it hadn't in fact happened in recent times—Russell, in a fit of trancelike anger, sets his young son on fire. From there on, the novel balances the sad tale of young John's long and painful recovery with the predictably awful experiences Russell endures in jail. A number of side stories clutter a novel that already leaps forward too quickly in time. And the big questions about guilt, salvation, God's will, etc., all seem grafted onto a melodramatic (though gripping) plot. The ``terrible'' thought L'Heureux warns us about is not all that original—that evil has a human face and is committed by ordinary people. Despite the banal notions and bland prose, the incendiary subject makes this novel both painful and poignant.

Pub Date: April 1, 1992

ISBN: 0-670-84326-1

Page Count: 288

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1992

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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