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DRAMA

AN ACTOR'S EDUCATION

In a tribute to his father and to his profession, the celebrated stage and screen actor rehearses his early career, cheerfully describing his successes and honestly recording his failures, professional and personal.

Lithgow, who has written eight books for children (I Got Two Dogs, 2008, etc.), begins in 2002 when his father’s health was failing rapidly. Serendipitously, the author decided to read aloud to him a story by P.G. Wodehouse, a story they both had loved when John was a child. A smile came to his father’s face, and the author believes this helped his recovery for another 18 months. (Later, we learn that the story—“Uncle Fred Flits By”—became the centerpiece of Lithgow’s one-man show Stories by Heart, a work he still performs regularly.) The author records fondly the peripatetic lifestyle of his childhood. His father, a theatrical nomad, traveled extensively, teaching, starting theater companies and festivals and mounting productions, especially of Shakespeare (one of the author’s life-long loves). His father never stayed anywhere long (his ambitions always exceeded his budgets—and, perhaps, his talent, though the author is far too kind to say so). Lithgow struggled through school—not with his studies (he graduated magna cum laude from Harvard) but with his uncertainty about whether to be an artist (painter) or actor. The latter won, of course, and Lithgow tells us about his school performances, his studies here and abroad, his tours and travails and his breaks in New York and Hollywood. He writes admiringly of his first wife—their marriage fractured when he commenced a number of torrid affairs during what he recognizes as a very late adolescence—and his subsequent 30-year marriage with his second wife, Mary. Not a complex or innovative writer, Lithgow nonetheless emerges as genial, gentle, generous, grateful, self-deprecating and proud but never arrogant.

 

Pub Date: Oct. 1, 2011

ISBN: 978-0-06-173497-7

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: July 5, 2011

Kirkus Reviews Issue: July 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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