by John Loftus & Mark Aarons ‧ RELEASE DATE: Nov. 1, 1994
An alternative, conspiratorial retelling of major events of the last 75 years, from the authors of Unholy Trinity (1992). Former Justice Department Nazi-hunter Loftus and Australian journalist Aarons would have us believe that much of recent Western history has had as its common theme ``Get the Jews.'' However, they are far more convincing in arguing that the underlying motivations for most of the evil plots they describe were fanatical anti- communism and/or greed; Jews—mostly pre-1948 Zionists and post- 1948 Israelis—sometimes got in the way. Thus wealthy Americans invested in prewar Nazi Germany because there was money to be made, and Nazis were welcomed to postwar America as fighters against communism; the State Department and American boardrooms were filled with Arabists who had no sympathy for a Jewish state not because it was filled with Jews, but because it was empty of oil. Loftus and Aarons undermine their work by its enormous scope, which makes it virtually impossible to distinguish one chess-gambit conspiracy from another. Also, the sources for their most explosive revelations are ``confidential interviews'' with unnamed veterans of an alphabet soup of espionage agencies: Little hard evidence is presented. Still, like all good conspiracy books, this one offers plausible and intriguing explanations for gray areas of history. These range from how American companies wrested control of Saudi Arabia's oil fields from Great Britain in the 1920s and '30s to the way countries were convinced (blackmailed, say the authors, in a convoluted plot involving Nelson Rockefeller, who was allegedly selling oil to the Nazis all through WW II) to support the creation of Israel in 1948. The book is also enlivened by a rich rogues' gallery, including double (or maybe triple) agents Jack and Kim Philby; and John Foster and Allen Dulles, accused of subverting American foreign policy to their insatiable greed. A conspiracy book offering tasty morsels if one reads with a grain of salt and disregards its sensationalized and misleading title. (16 pages photos, not seen)
Pub Date: Nov. 1, 1994
ISBN: 0-312-09535-X
Page Count: 640
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
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edited by John Loftus
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by Mark Aarons & John Loftus
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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