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STALKING JUSTICE

A stunningly bold novel composed with great authorial confidence.

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A retired homicide detective assists a friend whose daughter is threatened by a violent stalker in Manos’ thriller.

Larry Klinger, retired from the Chicago Police Department for six years and anguished over the death of his 6-year-old son, Mattie, spends his time aimlessly riding the subway, emotionally adrift. Realizing his pain has only grown deeper as decades pass, he seeks solace in group therapy and becomes friends with a handful of men, all of whom have suffered the trauma of losing a child. The author affectingly portrays the bond Klinger forms with his brothers in commiseration: “And it was less that he felt like he knew the personalities, hopes, or fears of the men beyond what he was learning each week, he explained, than a sense that they all knew something about themselves and one another that they all desperately wished they did not know.” Dan McVie, one of them, frets anxiously over the safety of his daughter, Andrea—the boyfriend she recently dumped, Marco Bala, is an angry man with violent tendencies, and he stubbornly stalks her. Marco becomes increasingly threatening, and, after receiving an order of protection demanding he steer clear of Andrea, he assaults her and menaces McVie’s wife, Sharon. Out of desperation, McVie wonders aloud if he should hire a hit man to kill Marco or simply do the job himself. Klinger is tortured by the impossibility of Andrea’s predicament—he knows that the police cannot arrest Marco and that Marco will never be satisfied until Andrea is dead; he confesses to his wife, Dora, “I don’t have any doubts about where this is headed, though.”

The narrative is a forlornly painful one—all of the principal characters are tormented by unspeakable loss, and their personal traumas are portrayed with extraordinary insight. The author’s prose is generally plain and foursquare—the power of Klinger’s melancholy is only increased by the spare simplicity of his mode of expression. Still, Manos is more than capable of poetic incisiveness—he describes Marco’s obsession with Andrea memorably: “But as subsequent days passed, a growing matrix of suspicions about Andrea’s social life preyed on Marco’s mind like a cracked tooth.” Despite the mounting evidence to the contrary, Marco insists they are “soulmates,” though Klinger astutely understands that Marco is less obsessed with possessing Andrea than he is with courting conflict. Klinger is a richly complex character—still reeling from the death of his young son, he can’t bear the thought of McVie losing another of his children and is haunted by the fact that the tragedy is all but a forgone conclusion. “So, basically, I want to prevent this guy from losing another daughter in a way that looks too damned inevitable for my taste.” The author wraps a psychologically astute tale of emotional conflict in a crime drama, the latter just as intelligently conceived as the former. This is a remarkable novel—poignant and provocative.

A stunningly bold novel composed with great authorial confidence.

Pub Date: N/A

ISBN: 9781956872132

Page Count: 248

Publisher: Amika Press

Review Posted Online: May 23, 2023

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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