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SMOKING TYPEWRITERS

THE SIXTIES UNDERGROUND PRESS AND THE RISE OF ALTERNATIVE MEDIA IN AMERICA

A welcome book on the ’60s—a nostalgia trip for those who were there and a vivid work of history for anyone curious about...

An unusually thoughtful account of the in-your-face underground press of the 1960s and its role in fomenting a decade of youth revolt.

McMillian (History/Georgia State Univ.; co-editor: Protest Nation: Words that Inspired a Century of American Radicalism, 2010, etc.) immersed himself in Bell & Howell’s Underground Press Collection on microfilm to write this readable, richly detailed study of the hundreds of anti-establishment 1960s newspapers—from the Los Angeles Free Press to Rag (Austin, Texas) and The Paper (East Lansing, Mich.)—that “educated, politicized and built communities among disaffected youths in every region of the country.” Edited by young radicals, filled with heated prose and muckraking by reporters who were engaged in the events they covered and made possible by inexpensive new printing technologies, these brash, often amateurishly produced, grassroots publications helped unite revolutionaries and bohemians and played a seldom-acknowledged key role in fostering the protest culture of the ’60s. Sympathetic but fair, McMillian points out the aesthetic and intellectual shortcomings of these often-salacious publications even as he traces their astonishing success at reflecting the democratic sensibilities of ’60s youths. The author provides numerous sharp portraits: Art Kunkin, half-Marxist, half-hippie founder of the LA Free Press (the “Freep”), and his superior coverage of antiwar activities and the 1965 Watts riot; Ray Mungo and Marshall Bloom, founders of the Liberation News Service, which issued weekly packets of political news and analysis from an urban commune; and the legendary John Wilcock, a founder of the Underground Press Syndicate. The chapter on the papers’ role in spreading rumors about getting high on “banana joints” is a hoot. In 1968, the FBI began compiling information on underground papers. Federal and local authorities busted underground journalists for obscenity or drugs; intimated the landlords, advertisers and printers; and hassled their street vendors. By decade’s end, most underground papers ceased publication. In their wake, they left a bevy of lifestyle-heavy alternative publications like the Chicago Reader and Washington City Paper.

A welcome book on the ’60s—a nostalgia trip for those who were there and a vivid work of history for anyone curious about the journalism that jolted a decade.

Pub Date: Feb. 16, 2011

ISBN: 978-0-19-531992-7

Page Count: 336

Publisher: Oxford Univ.

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Dec. 15, 2010

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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