Apart from the title piece itself, this collection of McPhee articles from The New Yorker doesn't really deliver full value. The most interesting, for its subject, is "The Atlantic Generating Station," about a prospective nuclear-power plant floating on an immense hull off the coast of New Jersey; prospectively, too, a magnet and threat to sea life. One man's inspiration that mushroomed, the project (since shelved) enlists the range of McPhee's sympathies and skills, and his peerless knack for signification. Then there's a disarming, if slightly arch, "Talk of the Town" tidbit, "The Pinball Philosophy," about two preeminent players, the Times' Tom Buckley and Pulitzer journalist J. Anthony Lukas ("who, between tilts, does some freelance writing"); there's a characteristic McPhee sortie into the wilds, with a characteristically ill-sorted, well-suited lot of super-woodsmen. And there's the notorious story of "Otto" the pseudonymous chef at an unnamed, out-of-the-way country restaurant who reportedly served McPhee the "twenty or thirty" best meals of his life—and whom New York food writers zealously tracked down and found wanting. (Worse, the usually-meticulous New Yorker had to apologize for an unwarranted slur to four-star restaurant Lutece.) The piece reads like a parody, with its testimonials to the "educated, sensitive, intelligent," dedicated, publicity-shunning proprietors, its 50 pages of magisterals pronouncements on microscopic food topics: a sendup, in short, of the whole self-important food scene. But apparently McPhee means this as seriously as he means us to take, for instance, canoeist John's appraisal of the St. John River ("some flavor of the upper Androscoggin . . . more presence than the Penobscot . . . you have reminiscences of it in the Delaware . . ."). Happily, though, there's also "Giving Good Weight," about New York's flourishing new Greenmarkets—where local farmers, an endangered species, sell fresh produce to deprived cityfolk in a heady atmosphere of banter and beefs, blaring Panasonics and instant friendships that McPhee scripts like a scene from a Robert Altman movie. A mixed bag, then, best in its larger reaches.
Pub Date: Nov. 26, 1979
ISBN: 0374516006
Page Count: 264
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 12, 2011
Kirkus Reviews Issue: Nov. 1, 1979
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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