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WHAT LANGUAGE IS

(AND WHAT IT ISN'T AND WHAT IT COULD BE)

Turgid at times, but mostly eye-opening, even liberating.

Linguist and New Republic contributing editor McWhorter (Linguistics and Western Civilization/Columbia Univ.; Our Magnificent Bastard Tongue: The Untold History of English, 2008, etc.) returns with a discussion of what languages are, and some insightful thoughts about why we view some as “primitive” and others as “advanced.”

The author employs a jumping-bean style that briskly leaps from frisky allusions to popular culture—not always recent: Wilt Chamberlain and Warren Beatty appear in one sentence—to dense descriptions of the complexities of language. Throughout, the author uses what he calls the “underwater approach” to language analysis, noting how early scientific illustrations of marine life showed critters dried and displayed on a beach; not until we could stay underwater for extended periods could we describe these creatures in their own habitat. Linguists offer a similar view of language. Observing that any language is a “fecund, redolent buzzing mess of a thing,” McWhorter groups his observations under five headings—languages are ingrown, disheveled, intricate, oral and mixed. The author dispels many common misconceptions, among them the notion that languages spoken by isolated peoples are simple or primitive. On the contrary, the more isolated a language, the more complex it becomes, as native speakers add numerous layers of special-purpose features. It’s only when other, non-native adults arrive that the language begins to simplify. He notes, for instance, the enormous complexity of Navajo (and, yes, he deals with the code talkers). He also reminds us that spoken languages antedate by millennia any written language and quips that all languages are “sluts,” taking on the attributes of all comers. McWhorter also dismisses the notion that Black English is Africa-born but recognizes the dialect’s dignity, calling it “a different kind of English but not a lesser one.”

Turgid at times, but mostly eye-opening, even liberating.

Pub Date: Aug. 4, 2011

ISBN: 978-1-592-40625-8

Page Count: 272

Publisher: Gotham Books

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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