McWhorter’s cri de coeur is a vital statement in America’s ongoing conversations about race.
A far-reaching, full-throated polemic against “Third Wave Antiracism.”
McWhorter, a professor of linguistics, American studies, and music history at Columbia, has been a prominent figure in the public discourse around race since he published Losing the Race in 2000. But nothing he has said or written previously has been as controversial as the thesis he advances in his latest book. Flying in the face of mainstream liberal orthodoxy, McWhorter writes in unapologetic opposition to the brand of anti-racism that authors like Ibram X. Kendi and Robin DiAngelo have made so popular in recent years. At the core of McWhorter’s critique is his claim that wokism (or “Electism,” as he wants us to call it) has literally become a religion. It demands adherence to positions that one must accept on faith or else be treated as heretical (i.e., “problematic”). McWhorter is well aware that his arguments may be dismissed out of hand, but he is cogent and forthright in his discussions. “You see Third Wave antiracism telling you that you are morally bound to conceive of ordinary statements that once were thought of as progressive, like ‘I don’t see color,’ as racist,” he writes. “That if you are white you are to despise yourself as tainted permanently by ‘white privilege’ in everything you do.” The author attempts to turn from the vogue anti-racism of our era to earlier forms of anti-racism that don’t “make black people look like the dumbest, weakest, most self-indulgent human beings in the history of our species, and teach black people to revel in that status and cherish it as making us special.” This is a passionate, often fiery book, but it is also seriously considered and scrupulously reasoned. Whether or not readers are persuaded by McWhorter’s analysis, they must, in the name of intellectual honesty, consider the book mandatory reading.
McWhorter’s cri de coeur is a vital statement in America’s ongoing conversations about race.Pub Date: Oct. 26, 2021
ISBN: 978-0-593-42306-6
Page Count: 224
Publisher: Portfolio
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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