Next book

WORDS ON THE MOVE

WHY ENGLISH WON'T--AND CAN'T--SIT STILL (LIKE, LITERALLY)

As in most of his books, McWhorter proves to be a well-informed and cheerful guide to linguistics.

A brisk look at how and why words change.

In his 17th book investigating the variety, history, and idiosyncrasy of language, McWhorter (English and Comparative Literature/Columbia Univ.; The Language Hoax: Why the World Looks the Same in Any Language, 2014, etc.) enthusiastically makes the case that language is fluid. “It’s always a safe bet that a word will not be tomorrow what it is today,” he writes. Language is “something becoming rather than being” and “ever in flux; the changing is all there is.” To support this idea, repeated throughout the book, McWhorter offers myriad, and often fascinating, word histories. The word “silly,” for example, evolved from meaning “blessed” to “innocent” to “weak.” Some words narrow or broaden their meanings: “apple” once referred to all fruit, and what we call “meat” used to be “flesh.” The author devotes much discussion to “literally,” which originally meant “by the letter” but has gained “purely figurative usage” to mean something closer to “actually.” McWhorter is not bothered by this drift in meaning, but he realizes that some people are. “If the way so many people talk is okay, then what counts as a mistake?” he is often asked. He concedes that individual misuse or mispronunciations can’t be defended, but he is on the lookout for widespread changes. “Nuclear,” he writes, is pronounced “nucular” by some who, he suggests generously, may be modeling it on such words as “spectacular” and “tubular.” Tracing patterns of changing sounds, the author notes that when verbs become nouns, the accent shifts backward: “It’s why someone who re-BELS is a RE-bel.” McWhorter also offers an intricate, if not fully convincing, etymology to defend the ubiquitous use of “like” in popular speech. Although he posits “no scientific grounds for considering any way of speaking erroneous in some structural or logical sense,” he does acknowledge “that some ways of speaking are more appropriate for formal settings than others.”

As in most of his books, McWhorter proves to be a well-informed and cheerful guide to linguistics.

Pub Date: Sept. 6, 2016

ISBN: 978-1-62779-471-8

Page Count: 272

Publisher: Henry Holt

Review Posted Online: July 18, 2016

Kirkus Reviews Issue: Aug. 1, 2016

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview