Imagine P.J. O’Rourke describing the effects of chewing tobacco rather than doing drugs.
Can an NPR talk-show host from lefty-liberal Seattle convert himself to conservatism by confining his news sources to the Washington Times and Fox News, his music to country and his interviews to habitués of rodeos and shooting ranges?
Probably not, but that’s the conceit behind Moe’s memoir of nine months spent trying to understand conservative America. The premise works well enough, though some readers may draw the line at the author performing “Courtesy of the Red, White, and Blue” during “Country Karaoke Night” in a blue-collar bar. Much of the book consists of interviews with conservatives of various sorts, from the editors of the Weekly Standard and National Review to Michael Medved and the mayor of Rexburg, Idaho. The mayor’s pious good sense and devotion to effective government help crystallize Moe’s understanding that there is a distinction between conservatism and the Republican Party. Indeed, the only “conservatives” to whom he warms not at all are the pudgy participants at a conference of college Republicans, all of them political fixers in embryo. (The author likes some Republicans better than others: He contrasts the fatuity of the Reagan Museum with the sober substance of the Nixon Library and Birthplace.) The book does not produce insights so much as pop-culture commentary on its march to the conclusion that conservatives are people, too. Aside from a denunciation of Toby Keith for commercially exploiting patriotic country music in a time of war, the commentary is good-natured and amusing. Sometimes the humor is unintentional, as when the author’s encyclopedic knowledge of indie and alternative music is employed to explain country music, without further clarification for non-residents of Planet Seattle. Funniest of all are the interspersed film reviews, which assign a numerical score for the effectiveness of a movie’s conservative message.
Imagine P.J. O’Rourke describing the effects of chewing tobacco rather than doing drugs.Pub Date: Oct. 1, 2006
ISBN: 0-06-085401-4
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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