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A BINTEL BRIF

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Veteran author and translator Nathan (Living Carelessly in Tokyo and Elsewhere, 2008, etc.) returns with a historical novel that artfully fuses the immigrant experience of 1910s New York with dark romance and political intrigue.

By most measures, Abraham Cahan is a successful man—he’s the author of seminal works of Jewish immigrant fiction, a leftist political activist, a pillar of the community and an esteemed newspaper editor of the Yiddish-Socialist Forward, for which he writes an indispensable advice column. But a loveless, sterile marriage has left an emotional void in Cahan’s life, one exacerbated by his estrangement from the religious practices of his youth. So when a troubled woman writes the newspaper with a letter claiming familial sexual abuse, accompanied by a titillating photograph, Cahan ingratiates himself into her life with less than the purest motives. Though he vaguely suspects the situation is more than what it seems, he quickly finds himself drawn into a tangled plot with strands that seemingly lead to his professional competitors as well as the far more powerful interests of the Tammany Hall political machine. Before he knows it, Cahan’s reputation and fortunes teeter on the brink of ruin. Nathan’s rich, beautifully descriptive prose advances the story at a relaxed pace while realizing the crowded, variegated world of the Lower East Side in all its overstuffed essence. Nathan expertly characterizes Cahan, a historical figure, as a man tugged in many directions by competing forces: between Jewish shtetl culture and assimilationist modernity, between gradual socialist change and the forceful demands of revolutionaries, and between the need to maintain propriety and the desires of his heart. Although the writing is somewhat halting and stuffy in the early going, Nathan finds his stride just as the passions of his protagonist awaken and bloom. A well-rendered, appealing period piece.

 

Pub Date: Feb. 25, 2011

ISBN: 978-1456857493

Page Count: 220

Publisher: Xlibris

Review Posted Online: July 29, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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