A comprehensive and remarkably well-written overview of this key event in recent history.
A brief history of the Internet, told by a British engineer and journalist.
British journalist Naughton (The Observer) begins by reminiscing about ham radio, an early example of the sort of virtual community the Internet has created. He then points out how, without advanced technical knowledge or training, anyone with computer access now has the ability to communicate almost instantly, and without intermediaries, with a huge fraction of the human race. Surprisingly, the technology that permits this stunning access to the world was created very haphazardly. In the beginning was Arpanet, the by-blow of a Cold War defense agency’s desire for easy exchange of data between computers. To make certain that key information could survive a large-scale nuclear attack, the equipment was designed to full military specifications; the first “modems” came enclosed in heavy steel cases and were painted battleship gray. But the project assumed a life of its own almost from the day of its inception. A key theoretical breakthrough, the transfer of data in byte-sized packages, came from a British research team. E-mail, which rapidly became the single most popular feature of the net, was an unauthorized extension of a program originally meant to trade messages between users of a single machine. And the original Web browser came from the desire of a scientist at CERN, the European nuclear research facility, to organize the masses of data the scientists had to deal with. Naughton’s ability to give the nonspecialist reader a sense not only of the people but of the ideas and processes involved in the creation of the Internet is complemented by a style that emphasizes the human dimension of his subject, and (best of all) lets the reader see why it is worth caring about.
A comprehensive and remarkably well-written overview of this key event in recent history.Pub Date: July 28, 2000
ISBN: 1-58567-032-4
Page Count: 352
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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