When O'Brien's first novel, Leaving Las Vegas (1991), became a hit movie, making his reputation as a chronicler of social misfits, his early death (196994) was properly mourned. But, sadly, this addition to his small body of work, while it reminds us of his distinctively harsh vision of life, is not a repeat of that earlier book. Mild-mannered Carroll has two things going in his life: his day job as head file clerk in a conniving L.A. law firm, and his nightly refuge, Indiscretions, a stripper club that draws him like a moth to a flame. All but invisible in both places, he begins to metamorphose suddenly one night when a new dancer, Stevie, enters the club and becomes the object of his obsession. Too shy to talk to her at first, by the second night he's mustered just enough courage to request a private dance with her, which, even though it takes all his money, gives him a taste of heaven and the conviction that Stevie is an angel. The next step for Carroll is to buy a new wardrobe, one that he thinks will impress her, but as his confidence builds and more contact with her makes her friendlier toward him, he inadvertently crosses the line that separates them, violating the club's rules of conduct with immediate, devastating results. Now wild in his desperation, he refuses to go back to his cocoon of meekness, first confronting another dancer in the club, then the powers-that-be in the firm, deliberately crossing the line each time, and finally walking away from his job to see if he can't salvage some hope of friendship with Stevie—who responds not unkindly to his need. The club world, distilled to its seedy essence, and O'Brien's acknowledged grasp of lonely lives, male and female, are impressive. But the essential element of character chemistry never clicks here, so that plot contrivance and cool observation remain mostly visible for what they are.
Pub Date: July 1, 1997
ISBN: 0-8021-3507-2
Page Count: 208
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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