by John O'Connell ‧ RELEASE DATE: Jan. 1, 2013
Quirky, crotchety and unconvincing.
A former Time Out writer harks back to the days of handwritten letters.
O'Connell covers the book world for a number of British newspapers. Now 40, he describes himself as having been an inveterate letter writer before the days of email. Like everyone else, he admits, he was seduced by the speed and ease of email communications, but now he is rethinking the question. For him, texting and Twitter were steps too far. “[P]eople have to understand,” he writes, “we've been sold this idea of progress and it's…wrong. Just because you develop a new thing, it doesn’t mean earlier versions of that thing have to become obsolete.” The physicality embodied in a handwritten letter carries meaning, especially after the passage of time. O’Connell writes that a handwritten condolence letter he received after the death of his mother set him on this track. He also believes that a collection of letters trumps biography: Letters “encapsulate [a life] more effectively.” The author is at pains to make clear that typewritten letters are just as bad as email. Another of his bugaboos is the round-robin missive that shares family news, whatever its medium of communication. “It’s one of the tragedies of the modern world,” he writes, “the way the round-robin has survived, like some demonic post-apocalyptic cockroach.” One might think this aggressive nostalgia is a bit of tongue-in-cheek British humor if not for the fact that O’Connell devotes much of the book to excerpted correspondence by literary and political figures—e.g., Sir Walter Scott, Jane Austen, Winston Churchill, H.G. Wells and others.
Quirky, crotchety and unconvincing.Pub Date: Jan. 1, 2013
ISBN: 978-1-4767-1880-4
Page Count: 192
Publisher: Marble Arch/Simon & Schuster
Review Posted Online: Oct. 30, 2012
Kirkus Reviews Issue: Nov. 15, 2012
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BOOK REVIEW
by John O'Connell illustrated by Luis Paadín
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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