by John Philip Drury ‧ RELEASE DATE: Aug. 9, 2024
An intriguing, tender, and elegantly written tribute to the author’s two mothers.
Drury’s memoir recalls his life with his mother and the “glamorous soprano” who became a second maternal figure to him.
The author spent his early years in Cambridge, Maryland. His father, Phil Drury, was a bank teller and parttime tenor in the church choir. His mother, Carolyn (aka Bobby) Bayly Drury gave up her bank teller job when her son was born and became a full-time homemaker, supplementing the family income with her dwindling inheritance. Drury was in grade school when he first met Carolyn Creighton Long, the woman who would come between his parents. She was an opera singer who had just moved back to Cambridge after studying grand opera in Italy for two years. She returned to great acclaim, but she was emotionally broken—according to Drury’s mother, Carolyn suffered a nervous breakdown while abroad. No longer able or willing to pursue her musical career through touring with musical production companies, Carolyn began offering voice lessons in Cambridge. Phil approached her for singing lessons in 1956. It is not clear just when a relationship began between the two Carolyns, but by 1958 Bobby was smitten and Carolyn Long had become a fixture in the Drurys’ lives. After Labor Day of that year, Phil Drury left home in the middle of the night, moving to a small Greenwich Village apartment in New York City where he hoped to find a better job and pursue a career in singing. Carolyn moved into the Drury house, effectively becoming the author’s second parent. Drury summarizes the turbulent events in one of his many “Disclosures,” intermittent entries in the narrative that review and interpret events as he remembers them: “My father was the odd man out in this trio, matched up against two Carolyns, ultimately a bit player. By leaving, he left them with each other, now a duo, and he left them with me.”
Drury’s account makes for a complex, tempestuous, and, at the time, socially unacceptable love story. It is a tale of passion that alternated between great expressions of love and devotion and screaming fighting matches, especially after heavy drinking. The relationship lasted, on and off, for 30 years, until Carolyn Long’s death. Indeed, it lingered on after her demise—in one especially poignant vignette, the author describes visiting Carolyn Long’s grave for a memorial a year after she died; he walked behind the headstone and discovered that his mother had had her own name engraved on the back of the stone. The two women would be forever united. A published poet, Drury has a keen ear for the tempo and cadence of engrossing prose. There is one exception, when he dwells on lengthy recitations of Carolyn’s numerous performances during the 1940s and early 1950s. These may be of interest to fans of classical music, but they are not described with any musical texture and, notwithstanding the inclusion of well-known luminaries with whom she sang, readers unfamiliar with the specific pieces listed will likely become disengaged during these passages.
An intriguing, tender, and elegantly written tribute to the author’s two mothers.Pub Date: Aug. 9, 2024
ISBN: 9798888385975
Page Count: 149
Publisher: Finishing Line Press
Review Posted Online: May 30, 2024
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Melania Trump ‧ RELEASE DATE: Oct. 8, 2024
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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