by John Sandford ‧ RELEASE DATE: April 4, 1991
Why is Sandford's new Kidd-series novel, The Empress File (p. 120; written under his real name of John Camp), so frazzled? Maybe because this increasingly popular author is putting his finest energies into his best-selling Lucas Davenport series (Rules of Prey, 1989; Shadow Prey, 1990)—as evidenced by this strong and satisfying entry, in which the Minneapolis homicide cop tangles with two memorable psycho-killers. The killers are coldhearted burn-deformed actor Carlo Druze and handsome pill-crazed pathologist Michael Bekker, who lures Druze into a murder trade a la Strangers on a Train: Bekker's wife for Druze's boss. The novel opens with Druze sneaking into Bekker's house to slice Stephanie Bekker and (at Bekker's insistence) to mutilate her eyes—but it turns out that Stephanie has a lover, who sees Druze, then runs away. Who is he? And why the eye mutilation? These questions plague moody, perennially unhappy Davenport as he deals with the case, and with his own demons of depression. Though from the start suspecting Bekker (whose drug-soaked soliloquies, and hidden obsession with observing dying patients' eyes at the moment of death, cast him as an unusually fascinating villain), Davenport can't figure out the mad M.D.'s connection to the second victim, Druze's boss, also found with punched-out eyes. So when the mysterious eyewitness begins feeding anonymous clues about a deformed killer, and then a third victim—an innocent mistakenly identified by Druze as the eyewitness—surfaces, Davenport looks elsewhere. His search brings him to Druze's theater company and to sexy actress Cassie Lasch, who becomes Davenport's lover and (inevitably in Sandford's dark universe) Bekker's final victim—along with Druze, whom Bekker double-crosses. In a brutal finale, a semi-deranged Davenport, throwing his cop-career away, extracts a savage revenge upon Bekker—a revenge that leads to a last-page revelation of the eyewitness's surprising identity. Atmospheric, suspenseful, and gripping from start to finish.
Pub Date: April 4, 1991
ISBN: 0425214435
Page Count: 358
Publisher: Putnam
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: March 15, 1991
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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