It’s pretty to look at, but it’s too generic to be an essential addition to an autumnal-themed book collection.
Autumn’s arrival sends an oak leaf on a windswept adventure against dappled, pointillist-style paintings.
A leaf appears, distinct and crisp against the gauzy background. It’s an eye-catching burst of gold and umber that contrasts with the lovely, if unexpectedly spring-y, Monet-inspired pastel colors. As the text catalogs the leaf’s travels through settings both natural (“over freezing lake waters”) and built (blown about by a freight train), it’s odd that there are so few autumnal references. Some of the leaf’s adventures, such as wafting through a vividly crimson maple tree or glimpsing geese migrating, are topically seasonal, but others, like a visit to a calf or a momma fox, don’t feel as germane. As the oak leaf floats lower over the city, it’s caught and pressed in a book by a white girl, a pleasant conclusion that gives the leaf’s journey a feeling of completion, though the ending is hampered slightly by the child’s somewhat unfinished-looking face—the illustrator is clearly more adept at capturing sweeping natural scenes than portraits. Written with a quiet poeticism, concise lines such as “Up through the mist, away from the earth, up” establish a pensive tone that neatly matches the quiet tale, though the text isn’t exactly bursting with personality either.
It’s pretty to look at, but it’s too generic to be an essential addition to an autumnal-themed book collection. (Picture book. 5-7)Pub Date: Sept. 17, 2019
ISBN: 978-1-944903-73-2
Page Count: 40
Publisher: Cameron + Company
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
A retro-futuristic romp, literally and figuratively screwy.
Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.
Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)
A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-544-98731-9
Page Count: 32
Publisher: Clarion Books
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
Sure to “net” young audiences, who will definitely root for the birds.
A peace-waging parable, presented with wry minimalism à la Jon Klassen or Tomi Ungerer.
Carrying nets, three hunters creep up on a sleeping bird in a dark forest, but thanks to their own clumsiness, they repeatedly manage to get in one another’s way as the bird slips off. Meanwhile, despite their frantic shushing, a smaller, fourth figure waves and calls out “hello birdie,” offering bread. Soon, an entire flock has gathered around number four’s feet—a flock that proceeds to turn and chase the hunters away. The text runs to just a few words per page, but it neatly serves to crank up the suspense: “ready one / ready two / ready three… // GO!” Haughton (Oh No, George!, 2012) uses a palette of deep blues and purples for his simple forest scenes; this causes the hunters’ googly eyes to stand out comically and also makes the fuchsia, red and orange birds easy to spot and follow. Last seen creeping up on a squirrel, the hunters have plainly learned nothing from their experience…but young readers might.
Sure to “net” young audiences, who will definitely root for the birds. (Picture book. 5-7)Pub Date: Sept. 9, 2014
ISBN: 978-0-7636-7293-5
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
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