by John Sandford ‧ RELEASE DATE: March 30, 1992
Sandford's sixth thriller—including two under his real name of John Camp—since July 1989. It's no surprise, then, that this fourth in his bestselling Prey series shows some stretch and strain, bringing cop-hero Lucas Davenport away from Minneapolis to Manhattan to tangle again with the homicidal maniac of Eyes of Prey (1991). But it's not just drug-crazed pathologist Michael Bekker—infamous for cutting out his victims' eyelids as he torture-kills them to capture the moment of transition from life to death—that tests Davenport here. Weeks after Bekker escapes from a Minneapolis courthouse in the novel's fierce kickoff, Davenport is visited by old flame Lily Rothenberg of the NYPD (Rules of Prey). Not only is Bekker running amok in N.Y.C., Lily says, but so is a cabal of vigilante cops who've killed perhaps dozens of the Big Apple's most vicious worms. Will Davenport help snare Bekker and at the same time secretly sniff out the bad cops? Davenport's exploration of Gotham's mean streets dramatically points up the metropolis as an inferno of the damned—dealers, fences, junkies—as seen by a small-city cop; but Davenport himself seems less the appealingly brooding, game-playing genius of previous novels than a devious bully with a penchant for extralegal tactics, including intimidation and burglary. Meanwhile, Bekker pops pills and reaps victims under Davenport's nose until a major twist reveals why the killer remains invisible. As Davenport closes in, he also finds himself looking hard at friends old and new as possible vigilantes: Lily, her cop-lover, another top cop, and Davenport's own new bedmate, a feisty "cowgirl" cop named Barb Fell. The two cases close out in predictable but tense climaxes fraught with poetic justice. Solid cop-action with well-drawn minor characters, but lacking the high cleverness or suspense of some earlier Preys. And recycled villain Bekker is no Hannibal Lecter.
Pub Date: March 30, 1992
ISBN: 0425224465
Page Count: 320
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1992
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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