A suspenseful thriller from the prolific and craftsmanlike Saul (The Homing, 1993, etc.) that moves like a dream through its paradisiacal Hawaiian landscape. As in his Black Lightning (1995), the lungs here are the focus of the story. In that tale, a serial killer left SS-like black lightning bolts on the pleural cavities of his victims. This time, victims' lungs suddenly become allergic to oxygen and can live only on fumes—those of ammonia, for example—that are normally poisonous. The action begins when Dr. Katharine Sundquist, an archaeologist specializing in early hominids in Africa, is hired for a three-month term to work on bones recently discovered near a vent in a volcano on Maui. Hiring her is a research lab owned by a superrich Japanese medical entrepreneur. Also on hand are a handsome fellow archaeologist who once courted the now widowed Katharine, and her son Michael, who's been overcoming asthma through physical training. When he and three Hawaiian friends go for a night dive, they come upon an underwater area contaminated by a geode from outer space. Back on land, they find that their lungs can't tolerate oxygen. How and why does the geode affect normal breathing? And what of the strange hominid-like bones Katharine patiently unearths? They look like those of early man, which is impossible, since Maui didn't exist when the first humans evolved. Are the bones somehow tied to the geode? Then it turns out that an astronomer in a Maui observatory has been studying a peculiar star some 15 million years old that seems to be sending out a radio signal, which eventually he interprets as a DNA code. Yipes! Folks from outer space are sending DNA code to planet Earth? Saul handily ties all of these elements together in a terse, provocative narrative. Nicely done indeed: strange, disturbing goings-on, with only two spoonsful of outrageous melodrama.
Pub Date: Sept. 1, 1997
ISBN: 0-449-91055-5
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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