Whatever the authenticity of Steptoe's Plains Indian legend of a seeking, selfless mouse who turns into an eagle, his powerful, over-scale picturization is apt to evoke a response—at least the first time around. After that, the impact wears off, and the bathos intervenes. But there is still the pull of being down on the mouse's level, and being drawn into his world by the magic-realism of the gray-toned, double-page bleeds. Alongside, the text is prolix, the story-elements commonplace. A young mouse, hearing tell "of the far-off land," sets forth. Stopped by a river, he meets a frog—Magic Frog, she tells him—who turns him into Jumping Mouse. Also: "You will encounter hardships. . . but don't despair. You will reach the far-off land if you keep hope alive within you." He lingers for a time with a fat old mouse, who falls prey to a snake in his lassitude. Going on, he comes across a dying, blind bison—to whom he gives his sight. He comes across a helpless, unsniffing wolf—to whom he gives his sense of smell. At last, having reached the far-off land, he weeps (that piteous, blind visage filling the page): "I feel the earth beneath my paws. I hear the wind rustling leaves on the trees. . . but I'll never be as I was. How will I ever manage?" Magic Frog appears, praises him, tells him to "Jump high"—and, by gosh (but not without further words), we see him outlined against the bright sky. . . and, overleaf, the bright-eyed, fierce-beaked head of an eagle. Think of it perhaps as a demonstration of art's transforming power, the weaknesses of the tale (and the telling) not-withstanding.
Pub Date: March 1, 1984
ISBN: 068808740X
Page Count: 44
Publisher: Lothrop, Lee & Shepard
Review Posted Online: May 10, 2012
Kirkus Reviews Issue: Feb. 15, 1984
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
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