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THE VILLAGE

400 YEARS OF BEATS AND BOHEMIANS, RADICALS AND ROGUES, A HISTORY OF GREENWICH VILLAGE

Fine social history humanized with a sort of paradise-lost wistfulness.

The author of Sissy Nation: How America Became a Nation of Wimps and Stoopits (2008) and other cultural criticisms and histories returns with a long, loving and thoroughly researched look at what he calls “a zone of rogues and outcasts from the start.”

Strausbaugh begins his chronological Village tour in the 17th century, when the Indians, Dutch and English were contesting for Manhattan. But once might prevailed, the area—which was indeed once a separate village—evolved initially in the post-Revolutionary era as something fairly upscale: summer retreats for the wealthy. Later, Paine and Poe were there, as was Walt Whitman, who took Emerson for a drink at Pfaff’s. As the decades proceeded, the author necessarily focuses on key individuals, events and places. The many African-Americans who once lived there emigrated to Harlem; the 1911 Triangle fire propelled social change; liberals and radicals arrived, including Lincoln Steffens and Emma Goldman. Writers and artists proliferated, and soon it was a hotbed for small theater productions. Susan Glaspell and Eugene O’Neill mounted early shows there; later came Albee and Shepard. Publications and publishers came, too—The Little ReviewVillage VoiceEvergreen Review, Grove Press. Strausbaugh charts the music history of the area, from jazz to folk (Bob Dylan will not like his portrait here) to rock. Early and/or sordid death is a theme—from Phil Ochs and Dave Van Ronk to Lenny Bruce. The author spends a lot of time on the emergence of the Village as a battleground for the LGBT communities—from actual clashes (Stonewall) to the desperation of AIDS. He seems saddened by the gentrification of the Village—at the impossible prices and rents that exclude the creative and contentious bohemians of yesteryear.

Fine social history humanized with a sort of paradise-lost wistfulness.

Pub Date: April 9, 2013

ISBN: 978-0-06-207819-3

Page Count: 640

Publisher: Ecco/HarperCollins

Review Posted Online: Feb. 25, 2013

Kirkus Reviews Issue: March 15, 2013

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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