A vibrant story that encourages readers to follow their passions—and share them with the world.
Doing what you love can bring good things.
Intensely shy and quiet, Stanley, a round-faced Black child, buries himself in a book at parties, speaks softly, and sits alone while his classmates play at recess. Stanley desires nothing more than to tap-dance on stage for an audience, but he tells only his two pet mice, Squeaker and Nibbles. When he helps the janitor clean the building after school, he changes into his tap shoes and dances around with the broom when he thinks no one is watching. Principal Reynolds, a Black woman, summons him to her office and tells him she has seen him dancing and is shocked. Stunned that he has been spotted, Stanley apologizes. “Sorry?” she says. “You’re terrific!” She insists that he enter the upcoming school talent show. Over the next two weeks, he dances for his mice, the birds outside, and feral cats, attempting to conquer his shyness. He also plucks up the nerve to dance on the playground for Tom, a new, light-skinned friend, who encourages him heartily. Manbeck’s blues, greens, and oranges give the illustrations a retro appearance, and the scribbly textures convey a sense of whimsy throughout. Blues that represent Stanley’s quiet, shy nature turn to bright yellows as he overcomes his fear, speaks more boldly, and embraces his love of dance. (This book was reviewed digitally.)
A vibrant story that encourages readers to follow their passions—and share them with the world. (Picture book. 4-7)Pub Date: Jan. 24, 2023
ISBN: 978-1-5344-8783-3
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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