Forty-two short-shorts, collected from two volumes originally published in France, chronicle a childhood and adolescence in Des Moines, Iowa. Together, the stories work like a snapshot album, with the life that's put on display full of odd Spoon River Anthology-like portraits but little real conflict. ``The images blend, overlap,'' Taylor writes in the penultimate piece, ``The View from the Upper Window.'' Otherwise, he describes in his own voice the loss of relatives and friends he grew up with in the 50's and 60's. In these evocative vignettes, instances are rendered vividly but never developed. Flipping through the snapshots is like glimpsing a life through anecdotes: ``Childhood Playmates'' (``My first death was Bud, Nancy's father''); ``Goodwin'' (``a mental genius and physical moron''); ``Nana'' (a woman whose ``friends began dying, one after another''); ``Tower Park'' (sketch of a place off-limits to a child, and thus all the more alluring and mythological); ``Andy Bill'' (a suicide); and the elegiac ``Words of Farewell'' (``friends who came into my life only to say good-bye and leave''). Other pieces, set in the present, allow characters to look back from a different perspective: in ``A Conversation,'' for instance, Taylor and his siblings talk about Des Moines, where their father still lives, and one sibling finally asks Taylor the crucial question—``Would you like to be buried there?'' Most of the stories come back to the theme of mortality: at their best, they're quirky and original, as in ``Breakfast with Casey Stengel.'' But finally, whether flat or inventive, they're all like ``The Fond Memory,'' prose poems that enshrine small moments from the author's past in piecemeal fashion. The entire collection, though undramatic, is a sort of Ray Bradbury Dandelion Wine remembrance of the Midwest as a golden place, a green world that lives on only in memory.
Pub Date: April 30, 1992
ISBN: 0-934257-69-8
Page Count: 144
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1992
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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