A colorful and captivating time-travel adventure with fearsome creatures.
A punk rocker wakes up in a Victorian world where unusual beasts plague Boston—still under British rule—in this debut steampunk thriller.
The novel begins with Sarah, in Victorian garb, witnessing a strange creature attack and whisk away a beggar near Boston Common. The action then shifts to Kevin Barnes, a “throwback punk band” musician sporting a purple mohawk, waiting for his “contemporary world” commuter train to Boston. A businessman who identifies himself as Roland asks Kevin to watch a briefcase and promptly disappears. Kevin boards the train and Sarah, in modern dress, becomes his seatmate. Kevin dozes off, then awakens to a transformed train—it runs on steam; British soldiers are aboard; and Sarah wears a Victorian outfit. The duo meets up with British game hunter Silas Cunningham and architectural genius Niles Barton, who have come to Boston to kill two Rhino-pards—a rhino and leopard combination created by a “most brilliant and disturbing” French scientist—which are wreaking havoc on the city. Kevin becomes gun bearer to these hunters as they explore the steam tunnels beneath Boston searching for their prey. Soon realizing their weapons are ineffective, the allies decide to try to kill the beasts by steam explosion, using Sarah as bait. By the thriller’s end, a British ironclad and a mysterious airship also join the conflict, with the strangely glowing scientist managing to escape with a surviving Rhino-pard. Kevin, too, considers exiting, but then makes a fateful exchange on his return train. Dennehy sets into motion an engaging time-travel and steampunk hybrid that includes pithy pit stops for comic commentary, including Barton’s snarky remark about the Boston Tea Party memorial (“Never seen a monument commemorating a lost war”). The narrative’s airship grand finale is particularly enjoyable and a splashy deus ex machina extravaganza. This novel is rather brief, however, leaving many of the mechanics fueling Dennehy’s engine (the role of Roland, for example) somewhat unclear. Still, it’s a fun and fascinating mashup—and a promising setup for further steampunk shenanigans.
A colorful and captivating time-travel adventure with fearsome creatures.Pub Date: Nov. 19, 2016
ISBN: 978-1-925493-99-3
Page Count: 148
Publisher: Severed Press
Review Posted Online: Dec. 12, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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