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SOAR

Only experts will be able to keep in mind the differences between, say, an HIT helicopter and a HIND gunship, but so many...

Acronym-encrusted, jargon-heavy, military shoot-’em-up.

The appeal of Richard Marcinko’s Rogue Warrior autobiography, and subsequent Rogue Warrior novels (all written with Weisman), was that America’s fighters—like Marcinko—could grab the latest military hardware and win any fight, anywhere, anytime, and that the only real enemy they faced were incompetent bureaucrats who wouldn’t let our gung-ho guys (and gals) do their thing. Army Special Forces Major Mike Ritzik and the rest of the soldier-heroes Weisman introduces find more than enough reasons to share that frustration as they race to rescue a CIA team captured in the Chinese desert by Islamic Uzbeki separatist-terrorists who’ve stolen an old but lethal Chinese-made atom bomb. Fortunately, the straight-talking Secretary of Defense, Robert “Rocky” Rockman, as well as American President Pete Forrest, a pro-military Vietnam war veteran, put Ritzik’s mission on the front burner. America is about to sign a nuclear weapons reduction treaty with China, and the CIA team, posing as filmmakers, had been planting seismic listening devices to detect underground tests. Not only are the terrorists crazed (the leader kills one of the team on a caprice), but China has already dispatched soldiers to get its bomb back—and finding a covert CIA team along with the bad guys wouldn’t look good for the US. Ritzik assembles a crack team of Delta Force specialists with names like Rowdy and Ty but gets two extra passengers: beautiful but brainy Deputy Assistant Secretary of Energy Tracy Wei-Liu, the only person nearby capable of disarming the bomb; and Michael “Mickey D” Dunne, a Special Operations Air Regiment (SOAR) helicopter pilot. Snatching the CIA team from the terrorists is almost routine, but then there are Chinese troops arriving in helicopters.

Only experts will be able to keep in mind the differences between, say, an HIT helicopter and a HIND gunship, but so many crackerjack good guys, stirring esprit de corps, and spectacular explosions make for a suspenseful war fantasy.

Pub Date: Aug. 5, 2003

ISBN: 0-06-052409-X

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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