Only experts will be able to keep in mind the differences between, say, an HIT helicopter and a HIND gunship, but so many...
Acronym-encrusted, jargon-heavy, military shoot-’em-up.
The appeal of Richard Marcinko’s Rogue Warrior autobiography, and subsequent Rogue Warrior novels (all written with Weisman), was that America’s fighters—like Marcinko—could grab the latest military hardware and win any fight, anywhere, anytime, and that the only real enemy they faced were incompetent bureaucrats who wouldn’t let our gung-ho guys (and gals) do their thing. Army Special Forces Major Mike Ritzik and the rest of the soldier-heroes Weisman introduces find more than enough reasons to share that frustration as they race to rescue a CIA team captured in the Chinese desert by Islamic Uzbeki separatist-terrorists who’ve stolen an old but lethal Chinese-made atom bomb. Fortunately, the straight-talking Secretary of Defense, Robert “Rocky” Rockman, as well as American President Pete Forrest, a pro-military Vietnam war veteran, put Ritzik’s mission on the front burner. America is about to sign a nuclear weapons reduction treaty with China, and the CIA team, posing as filmmakers, had been planting seismic listening devices to detect underground tests. Not only are the terrorists crazed (the leader kills one of the team on a caprice), but China has already dispatched soldiers to get its bomb back—and finding a covert CIA team along with the bad guys wouldn’t look good for the US. Ritzik assembles a crack team of Delta Force specialists with names like Rowdy and Ty but gets two extra passengers: beautiful but brainy Deputy Assistant Secretary of Energy Tracy Wei-Liu, the only person nearby capable of disarming the bomb; and Michael “Mickey D” Dunne, a Special Operations Air Regiment (SOAR) helicopter pilot. Snatching the CIA team from the terrorists is almost routine, but then there are Chinese troops arriving in helicopters.
Only experts will be able to keep in mind the differences between, say, an HIT helicopter and a HIND gunship, but so many crackerjack good guys, stirring esprit de corps, and spectacular explosions make for a suspenseful war fantasy.Pub Date: Aug. 5, 2003
ISBN: 0-06-052409-X
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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