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FIRST CONSONANTS

This dour coming-of-age tale thoughtfully explores how abuse impacts many people’s lives.

A speech disorder shapes a boy’s life in countless, often violent ways in Treat’s novel.

Brian Moriarty, born in the mid-20th century, has a stuttering problem. He doesn’t respond well when people (including a teacher and later a female student) laugh at his disorder, so Brian, who lives in a ranch home in Tummus, Washington, avoids speaking as much as he can. As such, he mostly keeps to himself, even when at home with his parents and his younger brother Bruce, aka “Bam.” He’s also prone to grim contemplation, setting his own life “rules” that generally involve meting out punishment against people he deems guilty. (“It was the sheer act of violence, an end worthy in itself because it restored Brian to a fixed presence in the world, irrefutable and due him.”) He does, at the same time, suffer abuse, from his father, who uses his hands to make a point, and a priest who betrays Brian’s trust. As his tumultuous life continues, Brian gets a job translating French and Russian documents, which allows him to write—and not worry about speaking—these languages. He finds a steady relationship with Mary, a schoolmate who overcame stuttering but whose twin brother did not. The two plan a future and a potential family, though Brian’s violent tendencies don’t simply go away. Perhaps things will change once he makes it to Utopia, Alaska, a place he’s long dreamed about, where he can disappear into its forests and never have to say anything.

Treat effectively portrays Brian’s recurrent issues with stuttering and stammering; for example, Brian steers clear of particular letters he has trouble with, including the B in his own name (Alaska first catches his attention because it’s easily pronounceable). He personifies his stutter as the sharp-nosed Joker from a pack of playing cards, his “secret friend” who sporadically pops into the narrative to taunt Brian about his life. Brian is a complicated protagonist and decidedly hard to empathize with. Readers may suspect an unchecked mental condition informing his actions: “The sole thing competing with the ballpoint’s scratching noises were voices quarreling in his head. One was the Joker’s, and it was the loudest and most insistent.” Brian tries to validate such questionable choices as mercilessly beating more than one individual for minor slights. He abides by his own rules (making violence permissible) and finds common ground with a notable literary figure who, in their own story, kills someone. The rest of the cast is indelible, even from Brian’s third-person perspective. Mary is supportive and genuinely understands what Brian is going through, not unlike the school-assigned speech therapist who suggested the boy maintain a “stuttering diary” to focus on both bothersome words and associated feelings. Surprisingly, Bam is the only character who gets a dedicated chapter, which details the ways in which his older brother’s intermittent punches have affected him as an adult. The unpredictable ending may provide a chance for Brian, if he so chooses, to redeem himself.

This dour coming-of-age tale thoughtfully explores how abuse impacts many people’s lives.

Pub Date: Sept. 20, 2022

ISBN: 9781938841866

Page Count: 318

Publisher: Jaded Ibis Press

Review Posted Online: Aug. 1, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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