This unique compilation of firsthand impressions of the Great War will be a valuable resource for adults and teens with an...
A young Canadian soldier’s reminiscences from the western front.
In this unusual memoir, historian Wilson describes being shown Rabjohn’s diary, published privately in 1977, by Rabjohn’s Canadian great-niece. Wilson has transformed the diary into a compelling account of World War I, compiled from Rabjohn’s diary and sketchbooks and supplemented with contextual information about the war. Just 18 when he enlisted in the Canadian Over-Seas Expeditionary Force in 1916, Rabjohn saw direct action in major battles, including the assault on Vimy Ridge, the Battle of Arras, and the muddy horror show that was the Third Battle of Ypres, or Passchendaele. The extracts from the diary describe intimate wartime experiences of death and destruction in gruesomely dispassionate terms. Apart from a blissful two-week leave in Paris, it’s a story of unmitigated horror, highlighting more than any textbook the futility of war. As a trained artist, Rabjohn was allowed to bring sketchbooks onto the battlefield and thus created a unique portfolio of accurate pencil sketches of trenches, dugouts, and graves. He also depicted scenes of soldiers, buildings, and devastated landscapes, which he reworked and supplemented when he came home. Endpaper maps of Western Europe and the parts of France and Belgium where Rabjohn saw action help situate readers.
This unique compilation of firsthand impressions of the Great War will be a valuable resource for adults and teens with an interest in this turning point in world history. (index, timeline, further reading) (Nonfiction. 12-adult)Pub Date: March 7, 2017
ISBN: 978-1-77049-854-9
Page Count: 112
Publisher: Tundra Books
Review Posted Online: Jan. 31, 2017
Kirkus Reviews Issue: Feb. 15, 2017
A thoughtful, engaging history for intermediate students interested in Africa.
Oliver’s debut, about one of West Africa’s most powerful and charismatic leaders, delivers a vibrant mix of history and historical fiction for young adults.
The book introduces the medieval empire of Mali with several short narrative essays on trans-Atlantic exploration, trade and mining and soon narrows its focus to the compelling life story of the emperor Mansa Musa, who ruled Mali in the early 1300s. Oliver shows how Musa gained influence while making a lavish, politically important trip to Mecca, and his deft explanation of how Musa crossed the vast Sahara Desert briefly but skillfully conveys the difficulty of the lengthy voyage. This enjoyable work smoothly blends historical text with memorable anecdotes from primary and secondary sources, photos and sketches of replicas of ancient and medieval African art, and well-drawn maps. The book moves at a fast pace, and the author’s clear, straightforward style is likely to appeal to young adults. He easily switches between topics, discussing history (how Musa gained recognition in Egypt and North Africa), religion (how Islam shaped Musa and his empire), architecture (the methods of construction for Malian mud-brick buildings) and fables (the legend of the Malian “gold plant”). However, Oliver always strives for historical accuracy; even his fictional account of a young sandal maker who travels to Niani’s great market contains period-appropriate language and scenery. The book also includes a lengthy glossary that is amply illustrated with drawings and photographs of West African boats and buildings. The work’s one shortcoming is its abrupt ending after Musa returns home; it lacks a thorough explanation as to how and why the empire of Mali eventually dissolved.
A thoughtful, engaging history for intermediate students interested in Africa.Pub Date: March 26, 2013
ISBN: 978-1468053548
Page Count: 128
Publisher: CreateSpace
Review Posted Online: July 31, 2013
Review Program: Kirkus Indie
A unique format for a memoir—Lowry (Stay!, 1997, etc.) offers up quotes from her books, dates, black-and-white photographs, and recollections of each shot, as well as the other memories surrounding it. The technique is charming and often absorbing; readers meet Lowry's grandparents, parents, siblings, children, and grandchildren in a manner that suggests thumbing through a photo album with her. The tone is friendly, intimate, and melancholy, because living comes with sorrow: her sister died of cancer at age 28, and Lowry's son, a pilot, died when his plane crashed. Her overall message is taken from the last words that son, Grey, radioed: "You're on your own." The format of this volume is accessible and it reflects the way events are remembered—one idea leading to another, one memory jostling another; unlike conventional autobiographies, however, it will leave readers with unanswered questions: Who was her first husband—and father of her children? Why are her surviving children hardly mentioned? Why does it end—but for one entry—in 1995? It's still an original presentation, one to be appreciated on its own merits.
Pub Date: Oct. 1, 1998
ISBN: 0-395-89543-X
Page Count: 189
Publisher: Houghton Mifflin
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2000
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