GONE TO THE WOLVES

Three misfits find their friendship tested in the 1980s and '90s metal scenes.

Wray’s sixth novel centers on Kip, a White kid who, in 1987, is 16 and has moved from his broken home in Tallahassee, Florida, to live with his grandmother on the state’s Gulf Coast. Soon he befriends Leslie, a Black bisexual man with a passion for heavy metal, and Kira, a hard-nosed young White woman for whom metal concerts are an escape hatch from her impoverished, abusive home. The bands they love—“downright life-affirming in their bleakness”—become important enough to build a life around in the years to come. In time they head for LA just as its glam-metal scene has reached its zenith. (In one funny scene, Kip lectures Mötley Crüe’s inebriated lead singer about his artistic failures.) Kip becomes an in-demand writer for metal magazines, and Kira tends bar at a popular club, but Leslie starts to fall through the cracks and uses heroin. And once Kira grows entangled in the Norwegian black metal scene, where rumors of church burnings and ritual murders abound, everyone’s lives become more troubled. Wray deftly captures teenage alienation, the precarity of adolescence, and the way multiple subgenres of metal can provide solace, be it via glitzy fantasy or doomy angst. That is, so long as life doesn’t try to imitate art: The closing section, set in Norway, features set pieces that make the novel as much a horror story as a bildungsroman. And though the storytelling drags in places, Wray is gifted at capturing the dynamics of difficult friendships, as Kip’s relationships with Kira and Leslie snap and reknit over money, addiction, and music. Metal might offer a form of salvation, but the story turns on the commitments the three make to each other when the music is off.

A giddy, harrowing, manic, and often dark coming-of-age tale.