Remarkable illustrations, brief retellings and clear morals do not quite make a satisfying collection.
Fourteen animal tales are presented in the same format as Quentin Blake’s Magical Tales (2012), with many of the same strengths and weaknesses.
These very brief tales do not all have happy or resolved endings, and no sources are given. Some clues to context and locale come in the stories, but readers may need to search elsewhere for the origins of others. “The Singing Tortoise” is a West African tale and “The Turkey Girl,” a Zuni Cinderella with an unhappy ending. (Some of these tales were previously collected in The Singing Tortoise, 1993.) Blake’s squiggly and expressive pictures are the selling point, describing with ragged brio the hippos and the coyotes, the cobras and the ravens, the princesses and shepherds. The coyote who cannot remember the song the locust has taught him is a jagged mass of frustrated lines and angles. “The Impudent Bird” of that title, with his borrowed colors and feathers, contrasts nicely with the befuddled king and hardworking tailor, both of whom the bird hoodwinks. One of the few stories that is both satisfying and happy is the Italian “Monkey Palace,” wherein twin princes both end up with a kingdom to rule as a consequence of acts of kindness and honor.
Remarkable illustrations, brief retellings and clear morals do not quite make a satisfying collection. (Folk tales. 7-10)Pub Date: Aug. 1, 2012
ISBN: 978-1-84365-195-6
Page Count: 124
Publisher: Pavilion/Trafalgar
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
Another winner from Mills, equally well suited to reading aloud and independent reading.
When Franklin School principal Mr. Boone announces a pet-show fundraiser, white third-grader Cody—whose lack of skill and interest in academics is matched by keen enthusiasm for and knowledge of animals—discovers his time to shine.
As with other books in this series, the children and adults are believable and well-rounded. Even the dialogue is natural—no small feat for a text easily accessible to intermediate readers. Character growth occurs, organically and believably. Students occasionally, humorously, show annoyance with teachers: “He made mad squinty eyes at Mrs. Molina, which fortunately she didn’t see.” Readers will be kept entertained by Cody’s various problems and the eventual solutions. His problems include needing to raise $10 to enter one of his nine pets in the show (he really wants to enter all of them), his troublesome dog Angus—“a dog who ate homework—actually, who ate everything and then threw up afterward”—struggles with homework, and grappling with his best friend’s apparently uncaring behavior toward a squirrel. Serious values and issues are explored with a light touch. The cheery pencil illustrations show the school’s racially diverse population as well as the memorable image of Mr. Boone wearing an elephant costume. A minor oddity: why does a child so immersed in animal facts call his male chicken a rooster but his female chickens chickens?
Another winner from Mills, equally well suited to reading aloud and independent reading. (Fiction. 7-10)Pub Date: June 14, 2016
ISBN: 978-0-374-30223-8
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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