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THE SEVEN VOYAGES OF SINBAD THE SAILOR

Name: THE SEVEN VOYAGES OF SINBAD THE SAILOR
Author: John Yeoman
ISBN: 0-689-81368-6

adapted by John Yeoman & illustrated by Quentin Blake ‧ RELEASE DATE: Oct. 1, 1997

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A splendiferous new presentation of an ageless yarn, replete with disasters, exotic lands, sumptuous palaces, fortunes lost and won back, and horrible monsters: ``We saw . . . a giant-like creature . . . his lower lip hung down like a camel's over his chest, his ears flopped over his shoulders like an elephant's, and his fingernails were like a lion's claws. I nearly passed out at the sight of him.'' Once Yeoman (also with Blake, The Singing Tortoise, 1994, etc.), through Sinbad, begins to weave his storyteller's spell, readers will want to plunge through right to the end (although a ribbon is bound into the book, should there be a need to mark a stopping point). The text has been edited for ease and fluency; the grandeur of older renditions has been preserved while long speeches and flowery rhetoric have been cut down. In a plethora of full-color and black-and-white watercolor wash illustrations that range from elaborate full-page compositions to tiny, almost abstract scribbles, Blake places gesticulating figures into situations that seem more exciting than dangerous. A fine design with a generous use of white space gives this volume the look and feel of the classic it is. (Folklore. 10-14)

Pub Date: Oct. 1, 1997

ISBN: 0-689-81368-6

Page Count: 119

Publisher: McElderry

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1997

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
MEET THE FAMILY
by John Yeoman ; illustrated by Quentin Blake

- BOOK REVIEW
THREE LITTLE OWLS
by Emanuele Luzzati ; illustrated by Quentin Blake ; translated by John Yeoman

- BOOK REVIEW
QUENTIN BLAKE'S AMAZING ANIMAL STORIES
by John Yeoman & illustrated by Quentin Blake

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A YEAR DOWN YONDER

From the Grandma Dowdel series , Vol. 2

by Richard Peck ‧ RELEASE DATE: Oct. 1, 2000

Year-round fun.

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Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”

This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”

Year-round fun. (Fiction. 11-13)

Pub Date: Oct. 1, 2000

ISBN: 978-0-8037-2518-8

Page Count: 144

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2000

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
THE BEST MAN
by Richard Peck

- BOOK REVIEW
THE MOUSE WITH THE QUESTION MARK TAIL
by Richard Peck ; illustrated by Kelly Murphy

- BOOK REVIEW
SECRETS AT SEA
by Richard Peck illustrated by Kelly Murphy

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A WEEK IN THE WOODS

by Andrew Clements ‧ RELEASE DATE: Sept. 1, 2002

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Playing on his customary theme that children have more on the ball than adults give them credit for, Clements (Big Al and Shrimpy, p. 951, etc.) pairs a smart, unhappy, rich kid and a small-town teacher too quick to judge on appearances. Knowing that he’ll only be finishing up the term at the local public school near his new country home before hieing off to an exclusive academy, Mark makes no special effort to fit in, just sitting in class and staring moodily out the window. This rubs veteran science teacher Bill Maxwell the wrong way, big time, so that even after Mark realizes that he’s being a snot and tries to make amends, all he gets from Mr. Maxwell is the cold shoulder. Matters come to a head during a long-anticipated class camping trip; after Maxwell catches Mark with a forbidden knife (a camp mate’s, as it turns out) and lowers the boom, Mark storms off into the woods. Unaware that Mark is a well-prepared, enthusiastic (if inexperienced) hiker, Maxwell follows carelessly, sure that the “slacker” will be waiting for rescue around the next bend—and breaks his ankle running down a slope. Reconciliation ensues once he hobbles painfully into Mark’s neatly organized camp, and the two make their way back together. This might have some appeal to fans of Gary Paulsen’s or Will Hobbs’s more catastrophic survival tales, but because Clements pauses to explain—at length—everyone’s history, motives, feelings, and mindset, it reads more like a scenario (albeit an empowering one, at least for children) than a story. Worthy—but just as Maxwell underestimates his new student, so too does Clement underestimate his readers’ ability to figure out for themselves what’s going on in each character’s life and head. (Fiction. 10-12)