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LOVE, LIZZIE

A suspenseful revelation of hidden family history and a celebration of female empowerment.

In Zaiss’ multigenerational novel, a divorced, lonely woman investigates a mysterious figure in a photo she discovered while handling her father’s estate.

The story begins with a diary entry dated 1952. A woman named Emma Hoskins uses a false name, Lizzie, to tell a story of grieving a miscarriage. In her early 20s, Emma became pregnant despite being advised not to do so, as she once had rheumatic fever that left her with serious heart disease; having children wasn’t just ill-advised, it was likely to make her condition worse. She says that her husband, Frank Hoskins, “has little sympathy” and thinks that “having a family is still in the cards for us”; however, Emma records in her diary that she’s “not taking that chance again.” The narrative then shifts to 2003: Maddie Hoskins, a 35-year-old divorced and childless insurance claims adjuster, is at her recently deceased father Frank Hoskins’ house in California. Her mother, Theresa, and younger brother, Adam, died before him, so Maddie now finds herself all alone in the world. While going through Frank’s papers, she discovers a photo of a beautiful woman with the notation “My Emma, Summer 1946.” Maddie returns to her Las Vegas home and solicits the help of an investigator at her firm to find out more about Emma. The novel intercuts Maddie’s 2003 discoveries with Emma’s 1950s diary entries; the latter, along with other expository narrative, brings to light how Frank came into Emma’s life in Nebraska and show the ramifications of her becoming pregnant for a second time.

Zaiss has crafted a page-turner that not only spurs readers’ interest in finding out what happened to Emma, but also offers multidimensional portraits of other major characters. Emma’s mother, for instance, is described at one point as being “somewhat mechanical...like she’s following an instruction manual requiring precise compliance,” and the author offers engaging insight into this demeanor as the character steps up to assist her daughter through a life-changing decision. Frank, who’s villainous at times, receives a backstory that believably underpins his actions. Emma’s second pregnancy, however, is the novel’s stunning dramatic centerpiece. Zaiss presents a woman navigating a shaky and sometimes-frightening marriage and dealing with male doctors who may or may not be right about how to handle her condition; the book also addresses the stringent rules surrounding when and how women could obtain abortions during this era. The novel also portrays other marriages, including, thankfully, some good ones, such as that of Emma’s best friend, Patsy. Another important figure initially resists Maddie’s attempts at connection due to her own pain and harrowing backstory. The novel goes down some less-interesting byroads; Maddie’s descriptions of the rather mundane unraveling of her own marriage, for example, are eclipsed by Emma’s more striking account. Still, Maddie’s determination to find the truth brings the novel to a touching, healing conclusion, with Maddie realizing that Emma “has triggered in me a deeper appreciation, a conviction, that my life matters.”

A suspenseful revelation of hidden family history and a celebration of female empowerment.  

Pub Date: Nov. 16, 2022

ISBN: 9798987241905

Page Count: 320

Publisher: Self

Review Posted Online: Jan. 5, 2023

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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