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JUMPMAN

THE MAKING AND MEANING OF MICHAEL JORDAN

A thoroughly sourced compilation of familiar material.

The ascendance of Michael Jordan in American culture.

Smith, a professor of sports history and author of The Sons of Westwood, takes his title from the silhouetted figure based on Nike’s Air Jordan poster of the NBA star soaring to the hoop against the backdrop of the Chicago skyline, a 1987 creation that is now ubiquitous. The author examines the endorsement deals, particularly with Nike and Gatorade, that made Jordan an iconic presence, contrasting this stature with Jordan's often-contentious relationships with coaches, team executives, and teammates as he led the Chicago Bulls to their first championship in 1991. Smith makes great use of secondary sources to examine Jordan's "double consciousness" as a Black man with incomparable crossover appeal to white America and the unintended expectations and consequences that accompanied that status. He leans heavily on other books, including Sam Smith's The Jordan Rules and Phil Jackson’s Sacred Hoops, to delve into the hypercompetitive Jordan's on-court rivalries with the Detroit Pistons and Los Angeles Lakers en route to the pinnacle of the NBA. The book will appeal to fans of Jordan, the Bulls, and the NBA of the 1980s and 1990s, as the author provides interesting backstories about team, league, and corporate figures who surrounded Jordan, particularly his opportunistic agent David Falk, greedy Bulls owner Jerry Reinsdorf, and paranoid general manager Jerry Krause. Relying heavily on secondary sources and following in the wake of the wildly popular documentary The Last Dance and the film Air, the book does not break new ground or offer particularly profound insights. The lack of deeper explorations of the similarities of Jordan's circumstances and personality to sports stars like Joe DiMaggio, who also reached rarified air in the American consciousness at severe personal expense, leaves readers with a sense of opportunities missed.

A thoroughly sourced compilation of familiar material.

Pub Date: Nov. 7, 2023

ISBN: 9781541675650

Page Count: 336

Publisher: Basic Books

Review Posted Online: Aug. 29, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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