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CELESTIAL BODIES

A richly layered, ambitious work that teems with human struggles and contradictions, providing fascinating insight into...

Omani author Alharthi's novel, the first by a woman from that country to be translated into English, won the 2019 International Man Booker Prize with its sweeping story of generational and societal change.

The book opens with a betrothal in a well-to-do Omani family. Mayya, a serious girl who excels at sewing, obediently marries the son of Merchant Sulayman although she's secretly in love with a young student just returned from England. Later she surprises everyone by naming her firstborn daughter London. The story alternates between third-person chapters and ones narrated by Mayya's husband, Abdallah, a businessman whose childhood was marred by his father's cruelty and mother's mysterious death. Through the complex, interwoven histories of the two principal families and their households and their town of al-Awafi, we witness Oman's shift from a slave-owning, rural, deeply patriarchal society to one in which a girl with the unlikely name of London can become a doctor, marry for love, and obtain a divorce. The great strength of the novel lies in the ways this change is shown not as a steady progression from old to new but as a far more complicated series of small-scale transitions. Abdallah was largely raised by his father's slave Zarifa, whose mother gave birth to her on the day slavery was supposedly abolished at the 1926 Slavery Convention in Geneva. Zarifa is sold as a teenager by Shaykh Said to Merchant Sulayman and later married off to a slave kidnapped from Africa who screams "from the depths of his sleep, We are free people, free!" Both her husband and son leave Oman, and although Zarifa eventually follows, her heart remains in al-Awafi. The narrative jumps among a large and clamorous cast of characters as well as back and forth in time, a technique that reinforces the sense of past and present overlapping. In an image that captures the tension between old and new, a family uses its satellite dish as a trough for livestock. Salima, Mayya's mother, herself a kidnapped teenage bride, thinks sadly as she prepares the next of her daughters for her traditional arranged marriage, "We raise them so that strangers can take them away." But the daughter in question, Mayya's sister Asma, welcomes wedlock, because "marriage was her identity document, her passport to a world wider than home."

A richly layered, ambitious work that teems with human struggles and contradictions, providing fascinating insight into Omani history and society.

Pub Date: Oct. 15, 2019

ISBN: 978-1-948226-94-3

Page Count: 256

Publisher: Catapult

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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