A heartfelt testament to the power of family and culture and the courage to find one’s voice.
A young Latine girl is thrilled to join her mother’s all-female mariachi band.
Today will be Rosa’s first time performing onstage with the group, and she’s nervous. But Mamiachi, as she sometimes calls her mother, gives her a pep talk about bravery and strength and reminds her of her namesake, Rosa Quirino, one of the first female mariachis. Donning matching pink trajes de charro, the musicians hit the stage. Rosa wonders if she’s really ready—will the audience like her? With Mami and the rest of the band, made up of a trio of loving madrinas (who vary in ethnicity), Rosa summons her courage and lets the music flow out for an emotional first performance. When the music ends, the audience enthusiastically applauds, and Rosa knows that she’s a true mariachi. Vibrant illustrations echo the lively mariachi tunes; the color pink, which figures prominently, pops against the darker backgrounds. The authors artfully convey Rosa’s journey from uncertainty (“My knees are knocking, weak and wobbly”) to triumph: “I feel like I am soaring through the melody, painting a picture with my hands and using my voice to tell our story.” Backmatter includes mini biographies of three influential female figures in mariachi and provides information on the formal suits that mariachi wear.
A heartfelt testament to the power of family and culture and the courage to find one’s voice. (glossary, selected bibliography, additional reading) (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9781419767159
Page Count: 40
Publisher: Abrams
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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