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THE OFRENDA THAT WE BUILT

A lively and illuminating look at a holiday tradition.

A Latine family sets up an altar for Día de los Muertos.

In rhyming, cumulative verse reminiscent of “The House That Jack Built,” the family prepares to honor Abuelo. They start with “the cloth, embroidered by Ama, / that covers the ofrenda that we built.” Next comes “the papel, cut with designs, / that graces the cloth, with ornate flowing lines, / that covers the ofrenda that we built.” They add candles to “welcome the ancestors in from the night,” delicious-looking sugar skulls (which “represent joy and how full life can be”), a copal to awaken the spirits, a bell that the whole family rings to guide the deceased home, and petals to “gather our ancestors in from the cold.” Each item holds meaning, conveyed artfully through the text. Finally, we see the last item of the ofrenda: photos of Abuelo, so he can be remembered. The bouncy verse scans well, accompanied by richly hued visuals depicting a loving, brown-skinned family taking part in the festivities. In the authors’ and illustrator's notes, the creators discuss the personal significance of this holiday; readers will also find more background on Día de los Muertos.

A lively and illuminating look at a holiday tradition. (Picture book. 3-6)

Pub Date: Aug. 6, 2024

ISBN: 9781797215624

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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DR. SEUSS'S HOW THE GRINCH LOST CHRISTMAS!

It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.

Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.

Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)

It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)

Pub Date: Sept. 5, 2023

ISBN: 9780593563168

Page Count: 40

Publisher: Random House

Review Posted Online: Aug. 15, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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