by Jomike Tejido ; illustrated by Jomike Tejido ‧ RELEASE DATE: Oct. 1, 2019
A fun-filled fractured-fairy-tale frolic.
Fairy-tale and nursery-rhyme characters work together to solve a mystery of disappearing belongings and missing children.
The story’s clever concept references that famous Old Woman who lived in a shoe, but here the woman lives in a book-shaped house on a bookshelf along with many other well-known children’s-story characters such as Jack and Jill and the Three Bears. The Old Woman is actually a busy mother of six with springy, gray hair and a lively demeanor. When she discovers her children are missing, she visits the other book houses on the shelf to ask for help. Each of the characters is missing something, and they all follow along as a group to search for their items and the children. The Big Bad Wolf is the culprit, predictably, and the children are found hiding from him in the branches of surrounding trees along with their father, the Old Man of “knick-knack paddywhack” fame. The characters celebrate at a concluding party with treats provided by the Wicked Witch from her candy-covered cottage. Bright, cartoon-style illustrations are filled with amusing details from all the nursery-rhyme and fairy-tale settings. Though the buoyant illustrations and plot move along in a sprightly fashion, however, the dialogue (conveyed in speech bubbles) is rather pedestrian. The Old Woman and her children present white; some of the other human characters seem to be diverse.
A fun-filled fractured-fairy-tale frolic. (Picture book. 3-7)Pub Date: Oct. 1, 2019
ISBN: 978-0-316-49305-5
Page Count: 32
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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by Nikki Giovanni ; illustrated by Erin K. Robinson ‧ RELEASE DATE: Sept. 27, 2022
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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SEEN & HEARD
by Hope Vestergaard ; illustrated by David Slonim ‧ RELEASE DATE: Aug. 27, 2013
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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