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A RIVER CLOSELY WATCHED

Boilard was raised in Massachusetts and now lives in San Francisco, so the book can be read as a poison-pen letter to his...

Boilard’s debut novel is the literary equivalent of punk rock: angry, cathartic and dripping with contempt for its characters. The story is set in western Massachusetts, which Boilard depicts as a backwater where rape, violence, racism and misogyny are the currency.

The closest thing to a hero is Bobby DuBois, youngest member of an ill-fated family. Events are set in motion when Bobby’s father, Blackie, an ex-convict with a wide sadistic streak, kidnaps and tortures Raymont, a dimwitted boy who’s been suspected of a sex crime. Bobby takes pity on the boy and sets him free—which he knows will be enough to send Blackie into a murderous rage. Running to the ineffectual police force is not an option—nor apparently is escaping to Boston or one of the nearby college towns, which don’t exist at all in the narrative. So, after wrapping up some business—which includes taking revenge on the thugs who’ve attacked his pregnant girlfriend, Doreen—Bobby heads for the hills in the custody of his uncle Thaddeus. No role model himself, Thaddeus teaches Bobby to have sex with ex-strippers, eat dogs and other random roadkill and finally, to murder those who get in the way. The body count piles up as Blackie gives pursuit, joined by an even scarier ex-con, Ed. The conclusion offers hope that Bobby will rise above his surroundings, but it doesn’t seem likely; and the doormatlike female characters aren’t much more appealing than the males.

Boilard was raised in Massachusetts and now lives in San Francisco, so the book can be read as a poison-pen letter to his former home; it's compelling in its twisted way.

Pub Date: Sept. 21, 2012

ISBN: 978-1-59692-381-2

Page Count: 328

Publisher: MacAdam/Cage

Review Posted Online: Aug. 21, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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