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A DOG YEAR

Name: A DOG YEAR
Author: Jon Katz
ISBN: 0-375-50297-1

TWELVE MONTHS, FOUR DOGS, AND ME

by Jon Katz ‧ RELEASE DATE: March 12, 2002

A surfeit of tail-wagging, face-licking love.

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Journalist Katz, creator of suburban detective novels (Death Row, 1998, etc.) and introspective nonfiction (Running to the Mountain, 1999, etc.), goes completely and passionately to the dogs.

At the start of his Year of the Dog, the most meaningful canines in his life were Stanley and Julius, two notably sweet Labrador retrievers. When they died—mourned mightily by their owner, their buddy, their pal—their places were taken by Devon and then Homer, a couple of young border collies, members of a particularly touchy breed. The intense training of Devon, at first almost feral, in the Jersey ’burbs quickly developed into a battle to determine who was to be the alpha male. Devon and Jon browbeat each other repeatedly, and for a while it was touch and go. But after many serious conversations and a few fierce confrontations, the dog conceded the test of wills to the writer. Still, Devon continued high maintenance, willful and stealthy, leaping into a raging river and regularly raiding the fridge just for the hell of it. Homer, by contrast, was notably laid back, but he actually proved capable of herding sheep, as border collies were meant to do. Sheepherding may not be an imperative in Montclair, New Jersey, but since Katz promised his collies the opportunity, he is conscientious in following through. He pays proper tribute to his wife and daughter, but this tale is practically all Katz and dogs. There is much canine psychology and anthropomorphism, of course, as “the boys” commune with their biographer through ear wiggles, barks, and limpid looks. In the interest of further male bonding, the author is even learning the rudiments of the shepherds’ calling. It’s enough to leave like-minded readers panting.

A surfeit of tail-wagging, face-licking love.

Pub Date: March 12, 2002

ISBN: 0-375-50297-1

Page Count: 224

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2001

Categories:

GENERAL NONFICTION

- BOOK REVIEW
TALKING TO ANIMALS
by Jon Katz

- BOOK REVIEW
SAVING SIMON
by Jon Katz

- BOOK REVIEW
THE SECOND-CHANCE DOG
by Jon Katz

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.