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A GOOD DOG

THE STORY OF ORSON, WHO CHANGED MY LIFE

A heartbreaking memoir of love, friendship and responsibility.

Katz concludes the canine love story he began in A Dog Year (2002).

Border collie Devon was a misfit from the moment he arrived at the Katz household in New Jersey. He tried to herd garbage trucks, snowplows, buses, kids on skateboards. After months of attempting to discipline the high-strung pup, Katz took him to train with Carolyn, an animal behaviorist and sheepherder. She observed that to Devon, the world made no sense. She also noted the pup was terrified of his own name; thus, Devon became “Orson.” Realizing that the dog would never adapt to suburban New Jersey, Katz pulled up stakes and relocated to a farm in upstate New York. There, Orson found a measure of tranquility alongside Rose, a disciplined border collie; Clementine, a sweet Lab puppy; and Winston, a rooster with “Patton-like authority.” While Rose herded sheep, Orson made Katz his work. The dog sat quietly while his owner wrote, and the two took moonlit walks to observe Sirius, the dog star. On an all-terrain vehicle, they daily patrolled the farm—and, illegally, the surrounding town. While he wasn’t perfect, he was Katz’s once-in-a-lifetime dog. “Orson helped me, deep into my sixth decade, to stay open, to not shut down,” he writes. But suddenly the dog began to nip visitors and, worse, bite them. As his violence escalated, the once-skeptical Katz embraced every available treatment: traditional veterinary medicine, New Age acupuncturists, even an animal shaman. Orson became more aggressive, and Katz faced a terrible decision: Is it morally right to keep a dog that poses a danger to others?

A heartbreaking memoir of love, friendship and responsibility.

Pub Date: Oct. 3, 2006

ISBN: 1-4000-6189-X

Page Count: 240

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2006

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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