by Jon Katz ‧ RELEASE DATE: June 26, 2007
An appealing text showing off an author who’s found his perfect genre. Readers can only hope these appealing and thoughtful...
A fourth installment from journalist Katz (A Good Dog, 2006, etc.) about his life and canine loves in upstate New York.
After three years in residence at Bedlam Farm, the author finally has his bona fides as a farmer: “a sunburned complexion, the hunched crab-walk...frostbitten fingers.” He already has a crew of hardworking dogs—border collie Rose, lovable Lab Clementine and injured Lab Pearl—when a new one enters his life. Izzy, a three-year-old border collie, has been rescued from a farm deserted by its ailing owner; the caretaker had fed him but otherwise left him to his own resources. Though wild and untrained, Izzy unexpectedly shows great sheep-herding potential, and Katz begins to spend more and more time honing his skills. Four dogs come to seem an unmanageable number. Rose is busy with her tasks on the farm, and Pearl works, unofficially, with the author at the physical therapy appointments for his bad back. But Clementine is frequently sidelined, and Katz reluctantly considers a startling solution: sharing ownership of Clem with Ali, a physical therapist who spends her off-hours hiking and playing soccer. It’s a wrenching decision, but Clem blossoms as an “only dog” under Ali’s care. Despite the book’s title, there’s more here than dog stories. Bedlam Farm hosts a herd of donkeys with which Katz shares a nightly snack and some music (the donkeys like Willie Nelson best), as well as an irrepressible, 1,800-pound steer named Elvis, who obeys simple commands when encouraged with apples. Katz’s views of animals continue to evolve. He’s come a long way from suburban pet ownership and now must consider not only the welfare of the animals, but also the welfare of the farm.
An appealing text showing off an author who’s found his perfect genre. Readers can only hope these appealing and thoughtful dispatches will continue.Pub Date: June 26, 2007
ISBN: 1-4000-6404-X
Page Count: 256
Publisher: Villard
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2007
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by Jon Katz
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by Jon Katz
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by Jon Katz
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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