Hanukkah is approaching, the Rabbi’s out of town, and the villagers have forgotten how to celebrate, so they send Yossel to the next town to find out what the traditional observance entails. Yossel unknowingly ends up in a Christian town that’s in the midst of preparing for Christmas and learns that they observe “the holiday” with tree decorating. This jars a memory as Yossel recalls the festival of lights, while the man he meets tells him it’s more like the festival of presents, food, and the fat man in a velvet suit. Returning to his town, Yossel convinces everyone to prepare for Hanukkah by decorating a tree with matzo balls, dreidels, and menorahs and dressing the fat Shmuel in a blue velvet suit, “Oy, Oy, Oy.” The Rabbi returns to this uncertain scene, recounts the story of the Maccabees, and reminds the villagers of the traditional Hanukkah customs as they all celebrate together. Like Eric Kimmel’s The Chanukkah Tree (1988), this version attempts an unnecessary dual approach to the holiday season. Schindler’s comical rendition captures the Eastern European environment; however this is needless folly even for Chelm. (Folktales. 6-9)
Pub Date: Sept. 1, 2004
ISBN: 0-525-46969-9
Page Count: 40
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2004
BOOK REVIEW
In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)
Pub Date: Oct. 1, 1999
ISBN: 0-399-23444-6
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)
Pub Date: Aug. 1, 1999
ISBN: 0-15-201835-2
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
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