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MISSOULA

RAPE ANDE THE JUSTICE SYSTEM IN A COLLEGE TOWN

A raw and difficult but necessary read.

The bestselling journalist dives into the acquaintance rape scandal that enveloped the University of Montana and members of its football team, coupled with the inability (or refusal?) of local prosecutors to convict accused rapists.

In May 2012, Jezebel posted an article, “My Weekend in America’s So-Called ‘Rape Capital,’ ” referring to Missoula, Montana, though both the writer of that article and Krakauer (Three Cups of Deceit: How Greg Mortenson, Humanitarian Hero, Lost His Way, 2011, etc.) note that the rate of reported rapes in Missoula was commensurate with the rates in other college towns. Given the fanatic devotion for the Grizzlies, the university’s football team, and the fact that its players were accused of both gang and one-on-one rapes, Krakauer finds in Missoula the perfect storm of scandal. (In fact, some locals like to believe that football players don’t need to rape anyone because they can have sex with whomever they’d like.) The author homes in on the stories of several victims: one whose assailant was convicted, one whose wasn’t, and another whose crime was punished by expulsion from the university—though he was never found legally guilty (one revealing thread of Krakauer’s investigations is the appalling ineptitude of university administrators when confronted with accusations of rape among their students). The author focuses on the plight of a brave undergrad who, after considerable trepidation, decided to go public with her accusation against star player Beau Donaldson. Krakauer has done considerable research into acquaintance rape, and his recounting of trials, both legal and university proceedings, is riveting. His focus on quoting from testimony means that it is harder for readers to understand the motivations of someone like Kirsten Pabst, a former prosecutor who became a lawyer for an accused football player; an interview with her could have been useful.

A raw and difficult but necessary read.

Pub Date: April 21, 2015

ISBN: 978-0-385-53873-2

Page Count: 384

Publisher: Doubleday

Review Posted Online: April 20, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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