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THIS IS CHANCE!

THE SHAKING OF AN ALL-AMERICAN CITY, A VOICE THAT HELD IT TOGETHER

One finishes this book deeply impressed—with the people of Anchorage, with Genie Chance, and with the author.

A natural catastrophe inspires ordinary people to extraordinary heroism.

Like the aftershocks of the earthquake that rocked Anchorage in 1964, this immersion in a barely remembered disaster shows how thematic implications continue to reverberate. In this impressively rendered narrative, longtime New York Times Magazine writer-at-large Mooallem (Wild Ones: A Sometimes Dismaying, Weirdly Reassuring Story About Looking at People Looking at Animals in America, 2013) seamlessly blends together a character study, an examination of the character of a community, a chronicle of what happened, and an inquiry into the human soul. The title refers not only to life’s chanciness, but also to the protagonist, a part-time radio reporter named Genie Chance, who became the voice of calm reassurance to Anchorage and then earned fleeting fame as the voice of Alaska. The author ably describes the earthquake, the most powerful in North American history: “The earth yawned open and swallowed cars….The sounds of the earthquake were part of the dreamlike incoherence. Most people mistook the low growl of the churning earth for a nuclear bomb.” Mostly, however, he focuses on the people and the aftermath, specifically how the disaster brought out the best in people, who followed their best instincts when there was no clear line of authority and behaved with “a staggering amount of collaboration and compassion.” Initially, skeptical readers might question the account: How did an author born long after the incident learn so much that he is able to recount so precisely. Why does he frame the events in reference to Our Town (playing at the community theater at the time), dividing the narrative into acts, bringing different characters onstage and then off? It isn’t until Mooallem introduces himself as a character and recounts the process of reporting that one fully appreciates the journalistic accomplishment, the implications of which extend from feminist activism to the field of “disaster studies.” Encouragingly, the major lesson is that “our goodness is ordinary.”

One finishes this book deeply impressed—with the people of Anchorage, with Genie Chance, and with the author.

Pub Date: March 24, 2020

ISBN: 978-0-525-50991-2

Page Count: 336

Publisher: Random House

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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