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DENIAL

A cool, compelling take on an incendiary topic.

Thirty years in the future, following widespread environmental disasters, a newspaper reporter tracks down a pipeline manager responsible for massive crimes against the planet.

The target, Robert Cave, has been hiding in Mexico, having escaped Nuremberg-like trials in Toronto that sent a rogues’ gallery of energy executives to prison in the wake of sweeping global protests known as the Upheavals. The reporter, Jack Henry, who is from the Pacific Northwest, first encounters Cave in a Mexican coffee shop. The men instantly bond over Mark Twain: Jack is reading Huckleberry Finn; Cave, Tom Sawyer. They go to a museum and a bullfight together and have great chats. Increasingly, Jack is torn between his affection for the elderly and elegant Cave and his plan to set Cave up for “the Donaldson”—sandbagging his subject with tough questions, on camera, in the manner of Sam Donaldson, the famed TV reporter of yore. Shortly after witnessing a full solar eclipse with his new girlfriend, Sobie, Jack is stricken with a debilitating sickness. Is he experiencing symptoms of a potentially dangerous condition, or should he take it as a cosmic sign to back off from his cold objectives? Not all of the pieces of this existential puzzle, including Sobie, fit together. You may wonder why, assorted climatic catastrophes aside, 2052 doesn't seem much different from 2022. But Raymond’s style is so smooth and agreeably understated, and yet so tension-packed, that it’s easy to overlook any imperfections. A screenwriter as well as a novelist, he is less interested in doomsday and justice themes than in the complicated ways big moral causes play out. As calmly as the novel builds to its rapt conclusion, it’s a page-turner.

A cool, compelling take on an incendiary topic.

Pub Date: July 26, 2022

ISBN: 978-1-982181-83-3

Page Count: 240

Publisher: Simon & Schuster

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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