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THE FABULOUS FEUD OF GILBERT AND SULLIVAN

Author and illustrator set the opening scene as impeccably as their subjects: Life in Victorian England is grim. Even the Queen frowns as her coach drives through the dreary rain. But there is one place where life is brighter. A quick page turn reveals the light, topsy-turvy world of the opera stage. Winter explains that the opera is where “grown-ups acted silly, and everything got very, very, very confused.” And oh boy, did it ever. One day Gilbert and Sullivan, the famed lyricist/composer duo, get into an argument. Sullivan accuses Gilbert of writing the same opera over and over. With grumps and grumbles and scowls on their faces, they refuse to work with each other anymore. However, out of the argument comes the inspiration for The Mikado. Lessons of friendship and forgiveness slip in, and Egielski’s saturated, theatrical tableaux add warmth and weight, but the intended audience is as perplexing as, well, a Gilbert and Sullivan operetta. Budding maestros will enjoy this dramatic tale, but youngsters unable to place the context may not relate much to these two mustached men. (author’s note, website) (Informational picture book. 6-12)

Pub Date: April 1, 2009

ISBN: 978-0-439-93050-5

Page Count: 40

Publisher: Levine/Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2009

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RETURN TO SENDER

Though it lacks nuance, still a must-read.

Tyler is the son of generations of Vermont dairy farmers.

Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.

Though it lacks nuance, still a must-read. (Fiction. 9-11)

Pub Date: Jan. 13, 2009

ISBN: 978-0-375-85838-3

Page Count: 240

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2008

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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