Author and illustrator set the opening scene as impeccably as their subjects: Life in Victorian England is grim. Even the Queen frowns as her coach drives through the dreary rain. But there is one place where life is brighter. A quick page turn reveals the light, topsy-turvy world of the opera stage. Winter explains that the opera is where “grown-ups acted silly, and everything got very, very, very confused.” And oh boy, did it ever. One day Gilbert and Sullivan, the famed lyricist/composer duo, get into an argument. Sullivan accuses Gilbert of writing the same opera over and over. With grumps and grumbles and scowls on their faces, they refuse to work with each other anymore. However, out of the argument comes the inspiration for The Mikado. Lessons of friendship and forgiveness slip in, and Egielski’s saturated, theatrical tableaux add warmth and weight, but the intended audience is as perplexing as, well, a Gilbert and Sullivan operetta. Budding maestros will enjoy this dramatic tale, but youngsters unable to place the context may not relate much to these two mustached men. (author’s note, website) (Informational picture book. 6-12)
Pub Date: April 1, 2009
ISBN: 978-0-439-93050-5
Page Count: 40
Publisher: Levine/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2009
Though it lacks nuance, still a must-read.
Tyler is the son of generations of Vermont dairy farmers.
Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.
Though it lacks nuance, still a must-read. (Fiction. 9-11)Pub Date: Jan. 13, 2009
ISBN: 978-0-375-85838-3
Page Count: 240
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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