Filled with revealing information from the participants, intriguing tidbits, and show trivia, this compendium will have fans...
An oral history of the acclaimed HBO police drama.
After a five-year run, The Wire ended in 2008. Other than two Emmy nominations for writing, the show never garnered much critical acclaim. In this detailed history of the show, Bleacher Report contributor Abrams (Boys Among Men: How the Prep-to-Pro Generation Redefined the NBA and Sparked a Basketball Revolution, 2016, etc.) writes that the series “is now celebrated as one of the greatest television shows ever made.” Producers, writers, directors, and actors speak for themselves via the many interviews the author conducted. Along the way, Abrams includes commentary and behind-the-scenes reflections. There never would have been a show if not for David Simon, a former Baltimore Sun police reporter whose two nonfiction books, Homicide (1991) and The Corner (1997), covered the topics that The Wire would explore. Simon had worked with network TV before, but he felt HBO would be the best place for his edgy tale about Baltimore police officers and drug dealers that would focus on a wiretapping sting operation. Chris Albrecht, the CEO of the network, agreed: “We were trying to distinguish ourselves from what else was on television.” Simon worked with co-creator Ed Burns to put together a mostly black, little-known ensemble of actors. The Wire’s story was complex and slow-burning; like reading a novel, it “allowed its audience space to interpret”—and pay attention. As Detective Lester Freamon (Clarke Peters) said in the first season, “all the pieces matter.” The creators drew on some of the best directors and writers, and Simon always gave detective novelist George Pelecanos “the penultimate episode of the season” in which “people got killed.” Richard Price “really dug the characters,” and novelist Dennis Lehane felt the show changed TV: it “pushed its borders a little further than where they’d previously been positioned.”
Filled with revealing information from the participants, intriguing tidbits, and show trivia, this compendium will have fans scurrying back to their DVD sets.Pub Date: Feb. 13, 2018
ISBN: 978-0-451-49814-4
Page Count: 400
Publisher: Crown Archetype
Review Posted Online: Oct. 29, 2017
Kirkus Reviews Issue: Nov. 15, 2017
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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